Production Team Mad Soul Child Switches To Prism Sound Dream ADA-128
South Korea-based team that works in genres that include albums, films, dramas, advertisements, and documentaries implements the modular converter at the heart of it’s studio.
South Korea-based team that works in genres that include albums, films, dramas, advertisements, and documentaries implements the modular converter at the heart of it’s studio.
Former Sphere Studio owner (both the London and LA facilities) and long-time Prism Sound user becomes one of the first to deploy the new multichannel converter.
Modular design delivers up to 128 channels of A/D D/A conversion joined by networkable audio distribution and processing in a single 2U rack unit for a range of applications.
Studio team employs flagship ADA-8XR multichannel converters and more in production of multiple tracks in support of the ongoing global sporting event in Qatar.
Next-generation successors to the A32 Series offer 32- x 32-channel AD/DA conversion, GPIO options for redundancy and DSP expansion, and more.
Special model of EXBOX.RAV AoIP-to-MADI converter distinguished by a RAVENNA green chassis, with only 50 units to be offered.
Currently working a packed touring schedule in support of country artist Kane Brown with recently added MADIface XT interface and M-32 DA analog converter.
New V3.0 firmware for the A32 Dante and Pulse 16 DX converters allows the app to support remote-over-Dante, Catalina, Big Sur and M1.
A32 converts analog audio sources — specifically for natural sounding microphones during its men’s basketball and women’s basketball, volleyball and gymnastics productions — to the digital realm.
Increases maximum input and output level from +20 dBu to +24 dBu while also providing new MADI, ADAT and Dante connectivity options.
Delivers up to 128 channels of A/D-D/A conversion and designed to bring added levels of flexibility and functionality.
Provides 24-bit/192 kHz conversion fed by selectable analog drive paths, high-resolution metering, word clock I/O, and more.
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