Historic home of the Grand Ole Opry radio broadcast outfitted with JBL VTX-A12 line arrays and Yamaha RIVAGE PM7 digital audio consoles.
I advocate that instead of searching for the latest and greatest plugin, microphone or console… first learn to mix.
Get it set wrong and no amount of fading, EQ or outboard processing will fix it. Get it right and the rest of your mix will come together much, much easier.
A matrix is actually not any more complicated than an auxiliary bus, so if you understand auxes, you can understand a matrix.
Provides same functionality as built-in SLink port with a further 128 inputs and 128 outputs of digital audio for splits, broadcast feeds, recording & more.
A lot of rock-loving audio folk get a little heavy-handed when it comes to mixing the instrument that is obviously their favorite.
Production Resource Group provides technical services for all three stages with L500 Plus on Stage 2 connected via SSL’s Blacklight II MADI concentrator technology.