How to best compress without making a mess of the music you’ve worked so hard to make sound good?
Conquering a trio of common confusions about compression, in the context of live sound, as processing to reduce the dynamic range of the signal.
Chris Stapleton and CeCe Winans projects provide two more awards for a studio well-stocked with gear, including the Variable Mu compressor/limiter.
Opting for default settings might work in many cases, but won’t give you that little extra something that you’re probably looking for.
Offers custom transformers and class-A output amplifiers, based on the dynamics circuit of the company’s Shelford Channel.
Back to basics on setting up compressors, gates and effects processors.