Exercising Restraint In Stage Design
Even with the ability to make something look really cool, have we considered if the look actually matches the tone, vibe, and sound coming from the stage?
Even with the ability to make something look really cool, have we considered if the look actually matches the tone, vibe, and sound coming from the stage?
A few simple suggestions for resolving the old “sound guy versus the guitar player” conflict.
Success often lies in planning and preparing for even the smallest of details…
What does it do? When and how do I use it?
Sometimes things can be going so well and then something goes wrong.
Getting past some of the primary fears and issues that hold us back from excellence.
It’s a sad fact but very few of us know much– if anything– about the congregations or sound crews all around us.
I advocate that instead of searching for the latest and greatest plugin, microphone or console… first learn to mix.
Getting the drum mix isn’t always up to the sound crew; it starts at the source.
Get folks onboard, start the discussion early and have a plan.
Solid Sound Solutions equips 2,000+ seat sanctuary in Los Angeles with VIO arrays and subs, DVX stage monitors, and IG1T, IG2T and IG4T for fills.
Comparing the “Faders at Unity” and “Maximized Preamp Gain” schools of thought, along with a third hybrid approach…
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