Sennheiser Introducing K-Array Loudspeaker & Line Array Brand At 2009 InfoComm
The K-array line is comprised of thin, lightweight loudspeakers for a wide range of pro audio applications
The K-array line is comprised of thin, lightweight loudspeakers for a wide range of pro audio applications
“By getting a first-hand look at the microphone and better understanding its historical significance, its evolving role in analog and digital recording, how a microphone functions, and how these tools are manufactured, students gain a much clearer understanding of the work and considerations that go into any quality recording.” – Rick Perrotta, Royer Labs
Audio Agent is working closely with Fairlight to implement a comprehensive market facing dealer network offering high-level sales and support services
New software, ability to add effects in Pre Record mode, and more
Greg Compagnone to Director of Sales, Eastern U.S.; Jamie Schnakenberg to Key Accounts Manager for Sports Communications; Robert Sheffield joins as Key Accounts Manager for Install
One of the PM5D-RH is utilized with the house system, and the other is for monitors. In addition, Kooster McAllister’s Record Plant Remote rig, with dual Yamaha DM2000 digital consoles, is used for remote broadcast needs
Selecting a mixing console that not only met MTV Canada’s current broadcast production conditions, but also one that could grow and adapt to meet their evolving requirements
As it has for the past several years, Madema exclusively handled all concert sound reinforcement duties for Primo Maggio, with the company’s sound system design featuring 127 VERTEC system enclosures
Like Sabine SWM7000 systems (which operate in the 2.4 GHz ISM band), these new systems also offer built-in RF scanning and recording, selectable front panel control lockouts, networked control for the maximum number of channels, and remote control
Kravitz is touring with a seven-piece band and has a large monitor rig, so the SD7’s high channel count on both inputs and outputs has proved very important
The UPM-1’s processing is adaptive, changing with the input signal, rather than remaining constant irrespective of input
“This was the first time LightViper systems were used to transport most of the audio on the golf course rather than the ‘beehives’ we previously used.” – Ziggy Schwartzer, Total RF
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