In The Studio: Eight Tips For Mixing For Mastering
Regardless if you decide to master yourself or use a mastering engineer, here are some approaches to help you get the most out of your mastering session.
Regardless if you decide to master yourself or use a mastering engineer, here are some approaches to help you get the most out of your mastering session.
One of the hardest things to record can be a vocalist who is not comfortable with the studio conditions.
There’s so much more that goes into recording an electric guitar that goes beyond just slamming a 57 up against the grille cloth of the speaker cabinet.
Most compressor plugins today are based on the four different types of electronic building blocks from the analog hardware days.
New book by veteran engineer and author provides exercises to help users learn how to mix on any DAW.
The groove and the pocket – they’re what give a song its life. The goal is developing a solid groove delivering a great feel, further enhanced by a deep pocket. Here’s more on how it works.
One of the most overlooked techniques is using equalization to add size to an element, which is particularly important in sparse mixes.
It’s possible to attain something reasonable using headphones in the studio, if you’re aware of the pros and cons involved.
Inside the “Amen Break,” used on an extremely wide range of contemporary music as well as on TV commercials and shows such as The Amazing Race and Futurama.
Pushing up some faders, getting a reasonable balance and adding some effects might work for a rough mix, but there’s more to building a great mix…
While simply EQing the bass high and the kick low (or the other way around) might work at it’s simplest, it’s best to have a more in-depth strategy, so consider the following.
Either mixing too loudly or too quietly can fool our ears…
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