Noted Recording Engineer John Holbrook Selects Klein + Hummel O 300D Monitors For Personal Studio
After mixing several projects, Holbrook has a handle on the qualities he likes about the Klein + Hummel monitors
After mixing several projects, Holbrook has a handle on the qualities he likes about the Klein + Hummel monitors
Sennheiser and Shure products utilized by a who’s who of A-list country performers
Provided by Sante Fe Springs, California-based Goodman Audio, sound reinforcement for the event relied upon 16 WideLine-10 cabinets from QSC Audio flown eight-per-side to the right and left of the main stage
“This year’s winners are clearly stand-outs among stand-outs.” – Ashly National Sales Manager Tom Knesel
“The reason for the massive purchase of Powersoft K-10/AESOP’s is because we wanted to implement a unified equipment plan where all the power amplifiers were the same.” – Scott Harmala, ATK Audiotek
According to Production Manager Mark Giancola, key factors that led to the important decision to purchase a MILO system were sound quality, application flexibility, and support from the company.
Working in Remote Recording’s “Silver Studio” backstage, mixer Dan Wallin selected Neumann TLM 193, TLM 170 and Sennheiser MKH 8040 wired mics to capture the orchestra.
5.1 surround audio broadcast utilizes monitors in surround sound configuration
In total, 106 Full Sail Recording Arts graduates were involved in the production of 78 individual artist’s projects that are nominated in 61 separate categories.
Winning Companies Exemplify Strategies Necessary for Tough Times
“Critical listening is a form of listening that involves analysis, serious thinking, and thoughtful judgment” – Bruce Swedien
“I did a quick count and realized that Le Mobile has recorded forty-one of them.”
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