Pet Peeves: It Can Never All Be Just Fun & Games…
In audio, as with everything in life, there are always a few situations or moments that slightly spoil the mood and get under our (or at least “my”) skin…
August 29, 2024
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In audio, as with everything in life, there are always a few situations or moments that slightly spoil the mood and get under our (or at least “my”) skin…
They’re a great tool, allowing us to be efficient and fast in addition to providing the opportunity to reflect on our workflow and come up with ways of making it even better.
Those seeking a successful and long-lasting career as an IEM engineer should be aware of these four key concepts at all times.
Mixing a small number of channels while retaining the full frequency spectrum, intimacy, and dynamics may be the pinnacle of the craft.
If you can influence sound sources in ways that sit better in a mix and support the entire sonic image, it can minimize challenges down the line.
Working in the live sound environment is addictive but also one of stress, responsibility and time constrictions often accompanied by severe lack of sleep.
The author shares several points that have become almost universal truths every time when dealing with “corporates.”
It requires a different mindset, kind of like playing chess against multiple opponents.
“Once I stopped thinking about live sound in absolute stereo terms, a world of possibilities for reducing the number of inputs became quite apparent.”
Live audio crews at their best are like efficient ninjas: they all wear black, you never know they were there, and when the job is perfectly executed, they disappear silently into the night.
Primarily aimed at applications that require a lot of channels in the air, such as theater productions, large sporting events, major tours and broadcast.
The first question to ask: Do I really need overheads? Yet it’s not quite that simple…
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