Creating A Signature: Understanding Natural And Digital Reverb
Digital signal processing has had a profound affect on our ability to place elements of our music into different “spaces.”
July 9, 2020
Digital signal processing has had a profound affect on our ability to place elements of our music into different “spaces.”
At its most fundamental level, effective acoustic design must start with these basic feasibility questions: Where can we put it? What does it look like? How much does it cost?
Company principal/owner Seth Waltz reflects on the evolution and application of acoustic room conditioning technology on a range of projects.
A dartboard of 30 things the author has learned over more than three decades of being hyper-focused on one thing…
Equipment and theories come and go, but the basic building blocks of sound do not.
Company also provides a set of placement suggestions to optimize the performance of the setup.
Acoustic system accommodates range of performances without compromising aural experience; joined by a direct system headed by LINA arrays
Considering some simple solutions for managing tough gigs in rooms that weren’t designed for reinforcement.
Removable, reusable, washable and durable resonation-controlling pads for all drums and cymbals made from proprietary Vtem polymer.
New system employs eight Audix SCX1 mics – two matched pairs (SCX1CMP) of cardioids at the proscenium and four SCX1 omnis (SCX1O) about 30 feet offstage.
A balance must be struck between efforts to make a room beautiful and efforts to make it sound good
A wealth of knowledge on live-end/dead-end acoustics from the June 1982 archives of the late, great Recording Engineer/Producer (RE/P) magazine.