Supported By
Tales of mixing for English guitar maestro Robert Fripp, tape-based effects in live shows, and a promoter who just doesn’t get it.
A look at some of the latest offerings and developments in microphones and wireless systems for the live stage.
The process of replacing systems operating in the 616 – 698 MHz range is accelerating
The good and the bad as the spectrum auction process winds down.
The current and future landscape of the RF/wireless world.
The advantages of earset and headworn microphones in solving myriad church sound issues.
Successfully collaborating with a wireless frequency coordinator and understanding the reasons you may need one.
Organizing wireless system hardware and keeping track of it at busy shows/events.
