Keeping it Real II: In-Ear Monitoring And The Acoustic Reflex Threshold
Considering some of the complex mechanisms performed by the human brain that affect localization and our perception of loudness.
Considering some of the complex mechanisms performed by the human brain that affect localization and our perception of loudness.
What do we know about how the brain and ears work together to create the auditory response, and how can we make use of it in our mixes?
Continuing the discussion of working toward a semi-silent stage.
Mixing worship is much more than turning knobs — it requires thick skin, a quick wit, and a sprinkling of political acumen…
Important points to keep in mind when you’re up to your neck in knobs and faders
After landing your “dream gig” is way, way, too late to start turning out your best work.
Looking back at the original plan and system for the 1958 show with headliners Billie Holiday, Dizzie Gillespie, Dave Brubeck, and Louis Armstrong.
A look at the history of stage monitors and the common issues they present, as well as some options for keeping things under control.
Sound engineer Francesco Rega chooses GLD-80 mixers with AR2412 remote IO racks at front of house and monitors for 30-date tour.
Acoustics
Amplification
Audio Networking/IT
Business
Cabling & Interconnect
Church Sound
Dynamic Processing
Electrical Power
Equalization
History & Heritage
Key Audio Principles
Live Recording
Loudspeakers
Microphones
Mixing Consoles
Popular Authors
Production
Profiles
Software Tools & Apps
Sound System Design
Stage Monitoring
Stagecraft & Best Practices
Studio Recording
Subwoofers
System Test & Measurement
Wireless/RF
Copyright 2022 ProSoundWeb · EH Media LLC. All rights reserved.