Microfiles: The Sears 6591, A Dynamic Handheld From The Then “World’s Largest Retailer”
A classic cardioid design from the mid-1960s with a “frequency response tailored for use with guitar amplifiers.”
April 4, 2022
A classic cardioid design from the mid-1960s with a “frequency response tailored for use with guitar amplifiers.”
From the late, great Recording Engineer/Producer (RE/P) magazine, the pitfalls and rewards, musical and otherwise, of recording in the world’s largest echo chamber.
Subjective measurements may work well when you’re by yourself but they may not do the same when interpreted by another engineer. (A downloadable audio version of this article is also available.)
A compilation of insightful comments that have appeared on the pages of ProSoundWeb and Live Sound International over the years…
A walk through key optimization developments over the past 40-plus years, starting with loudspeaker technology.
A dynamic design that “has a wide range for voice and music reproduction in PA, recording and TV.”
Perhaps the key question of any production: What is it that we need to accomplish? Answer that, apply experiences relevant to the specific situation, and then move forward successfully.
The story of more than three decades of pioneering work as a mix engineer as well as the significant impact she had upon many lives throughout her journey.
One thing we veterans can do is to look back and take stock in the “lessons learned” and, with our perspective, decide which of them are the most important. Here’s my list…
Acoustics
Amplification
Audio Networking/IT
Business
Cabling & Interconnect
Church Sound
Dynamic Processing
Electrical Power
Equalization
History & Heritage
Key Audio Principles
Live Recording
Loudspeakers
Microphones
Mixing Consoles
Popular Authors
Production
Profiles
Software Tools & Apps
Sound System Design
Stage Monitoring
Stagecraft & Best Practices
Studio Recording
Subwoofers
System Test & Measurement
Wireless/RF
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