The story of more than three decades of pioneering work as a mix engineer as well as the significant impact she had upon many lives throughout her journey.
One thing we veterans can do is to look back and take stock in the “lessons learned” and, with our perspective, decide which of them are the most important. Here’s my list…
An omnidirectional dynamic model that while more traditional looking than many earlier Art Deco designs still has a “mid-century modern look” all its own.
A brief and useful (but by no means comprehensive) look at some key developments along the path to modern desktop recording.
Adventures in stepping up to be the account manager for the middle of three dates that the sound company was doing on a traveling rock festival.
Regardless of the technology – and the toys – the point is connecting the artist directly to the audience with the least amount of intrusion.
What it was like going from no compressor to one compressor versus today’s reality wherein even some very cost-effective consoles have a compressor on every channel and every output.
With its limited frequency response and relatively high price when new, it’s no wonder that the M-191 didn’t become a staple of stage and studio. But it sure does look cool!
“Forget EQ. forget FX, forget gain – I was just trying to find inputs, which were in no recognizable order anywhere on the console.”
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Mixing Consoles
Popular Authors
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System Test & Measurement
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