When we understand why we started in the first place, and why we might continue, it’s easier to evaluate whether or not we want to continue volunteering for the next season.
We have to be in control of the mix. We can’t become hoarders of frequencies and processors or the result is a sonic cesspool of unnecessary junk.
I’m a big fan of standardization. It makes it a lot easier to move between venues and host different sound techs if everything is more or less the same. So, what is the standard board layout?
Many of us tend to take mics for granted because they usually work with every use, but a bit of extra attention from time to time helps ensure they keep working properly and optimally.
Reducing low-end accumulation issues in the room while bringing added clarity to the mix…
Creating a great electric guitar sound in the mix starts with respecting the tone – it’s here where two common mistakes are made…
We work in churches in teams that reach beyond just the technical aspects of the job. Without good communication and open dialogue, we are destined for inefficiency, unmet goals, and more.
Have you ever heard a mix that was so naturally and transparently reinforced that you weren’t sure if a sound system was being used at all? A look at how we can translate ideas into techniques.
Thoughts about where sounds are coming from on a stage versus where we actually perceive them as coming from as well as why in-ear monitors may make sense for moderately-sized houses of worship.
Acoustics
Amplification
Audio Networking/IT
Business
Cabling & Interconnect
Church Sound
Dynamic Processing
Electrical Power
Equalization
History & Heritage
Key Audio Principles
Live Recording
Loudspeakers
Microphones
Mixing Consoles
Popular Authors
Production
Profiles
Software Tools & Apps
Sound System Design
Stage Monitoring
Stagecraft & Best Practices
Studio Recording
Subwoofers
System Test & Measurement
Wireless/RF
Copyright 2022 ProSoundWeb · EH Media LLC. All rights reserved.
