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d&b audiotechnik arrays and subwoofers flying above the platform at the auditorium at the headquarters of Celebration Church International.

Stage Audio Works Deploys d&b audiotechnik In Upgrade At Celebration Church In Zimbabwe

Integrator equips 3,800-seat auditorium at organization's headquarters with Y-series left-right main arrays with an A-series center array joined by 21S and 27 A subwoofers and more.

The 3,800-seat auditorium at the headquarters of Celebration Church International has been outfitted by Stage Audio Works (based in South Africa) with a comprehensive audio system upgrade incorporating d&b audiotechnik loudspeakers and Yamaha consoles with Dante networking.

The decision to upgrade the systems was taken in 2019 just before the pandemic. Pastor Bonnie Deuschle, who leads the praise and worship teams and is the driving force behind Celebration’ 300-voice choir, was becoming increasingly frustrated by the limitations of the old system. “If the voice of the word of God is not amplified, people won’t hear it,” she says. Consequently, the decision was made to upgrade. However, as Pastor Tom Deuschle explains, the “who” was every bit as important as the “what.”

“We looked at three providers,” he says. “Ultimately, we chose Stage Audio Works not because of price – overall they were more expensive than the others – but because of their willingness to work with us and solve problems. If I could boil it down to one thing, it would be the relationship: the relationship was more important to Stage Audio Works than the transaction, and we really appreciate that.”

Stage Audio Works technical director Nathan Ihlenfeldt adds, “The brief was to provide a high-end audio system that covers all the seats in the main auditorium. One of the biggest considerations was the choir which plays an extremely important part of the worship at Celebration Church. This informed a lot of our design decisions. The main challenge was to provide sufficient gain before feedback for the choir, particularly as the music at Celebration is quite loud and contemporary, but with a significant choral element which is typically associated with softer musical genres.”

Ihlenfeldt dealt with that by specifying d&b Y-series as left-right main arrays with an A-series center array. All subwoofers are flown, with an end-fire array of 21Ss in the center and flown arrays of 27As behind the main left-right arrays. “We needed a center array because during worship services there tends to be a lot of people gathering right in front of the stage, so the centre array acts as a flown downfill for that specific area. It also helps us gain more accurate vocal and speech localisation,” he notes. “We opted for A-Series because we didn’t need to cover the same distance as the main arrays, and a traditional line array solution rather than the augmented array would have required more boxes to do the same job. A-Series offered us a visually discreet solution that sits just above the proscenium and doesn’t interfere with sight lines.”

The main system is supplemented with 44S frontfills embedded into the stairs at the front of the stage, Y7P point source balcony delays and 5S underbalcony delays.

“We were allowed to choose the right microphones for the choir, and we landed on high quality Neumann microphones for this,” Ihlenfeldt continues. “The balance of microphones for the band are Sennheiser. The cardioid subs are flown to optimise the directivity of the PA system and keep energy off the stage and away from all of those highly sensitive microphones. We also initiated a move away from wedges to Livemix in-ear monitoring systems where possible to help keep bleed off the stage.”

Another notable element of the audio system upgrade was the provision of three Yamaha CL3 consoles for front of house, monitors and broadcast, respectively. “We especially wanted to provide a solution for Celebration to have a quality live stream,” explains Ihlenfeldt. “Until now they’d never had the infrastructure to support this, so we provided a dedicated broadcast console.” Yamaha is the go-to console brand for Stage Audio Works, but not just because they are the local distributor. “Even if we didn’t distribute them, we’d use them anyway simply because they are absolutely rock-solid; even in remote areas with dubious power supply, they just work!” remarks Ihlenfeldt. “For stability, reliability and ease of use, they tick all the boxes.”

Celebration Church’s technical manager Harris Machingura says about the upgrade, “It makes life easy both for the technical staff and the choir. Things flow effortlessly now. Without the worry of the issues they were facing previously, the technical staff have more creative space to explore new things. It’s made a big difference to our worship. We also know that we can rely on Stage Audio Works for excellent support which is very important.”

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