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Sound Reinforcement Taking Center Stage At AES New York 2019

Events and exhibitions to showcase and demonstrate system optimization, design, RF, Broadway production sessions and more.

Whether perfecting your sound for a one-off event or setting the stage for an international touring act, the Sound Reinforcement Track sessions at the AES New York 147th Audio Engineering Society International Pro Audio Convention, October 16 – 19 at the Javits Center, offer insights for sound professionals of today and tomorrow.

In addition to the exclusive presentations offered with All Access registration, attendees will also have the opportunity to learn and network with peers and professionals at dedicated Inspiration Stage events and through exhibition showcases and demonstrations.

“This year, we have once again gathered top industry experts and manufacturers at the pinnacle of live event production and sound reinforcement to share their hard-won knowledge,” states AES New York Sound Reinforcement chair Henry Cohen. “From foundations of systems design, to the latest in the science and technology of audio perception, the AES New York Sound Reinforcement events offer unprecedented access to the latest from the industry’s top researchers and gear designers, as well as the engineers that exemplify best practices in the craft of sound reinforcement.”

This AES New York Sound Reinforcement Track’s varied and informative series of educational opportunities includes sessions revealing crucial details of sound reinforcement implementation such as “Seven Steps to a Successful Sound System Design” and further ideas and techniques in “A Cookbook Approach to Sound System Optimization with Bob McCarthy.”

Delving further into system specifics, the multi-part RF Super Session will host a discussion of RF spectrum and regulatory changes, an update on the latest compliant equipment, and best and advanced RF practices including filtering techniques and RF over fiber. Another Super Session, “AC Power, Grounding and Shielding,” will cover theory and practice of AC power for small to large sound systems, including multiple transformers and company switches, service types, generator sets, single- to three-phase mains, AC source voltages and more, while mitigating hum and buzz noise problems.

Perception of live audio by the audience, engineers and performers is also of top importance for proper sound reinforcement. The tutorial “Psychoacoustics for Sound Engineers” will present topics including how we integrate and perceive sounds, perception of frequency and frequency balance, audible effects of latency, IEMs and sound / video synchronization, and more. For the larger captive audience, including inadvertent audiences, sound exposure and noise pollution due to outdoor entertainment events are addressed in the session “Your Noise Isn’t My Noise: improving Sound Exposure and Noise Pollution Management at Outdoor Events.”

Additional AES New York Sound Reinforcement events will include dedicated Broadway production sessions, along with other tutorials, workshops, scientific paper presentations and more.

All Access registration is the ticket to everything the dedicated pro audio event and exhibition of the year has to offer, including all Sound Reinforcement Track sessions – four full days of pro audio education, gear, networking opportunities, and much more.

Advance registration prices and options are still available, as well as select housing options through AES partner hotels.

Audio Engineering Society


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