Behind the scenes on broadcast audio for the NFL, including mixing in the truck, A2 work in the field, RF coordination, parabolic mics, and more.
Discusses his work with the Grammy-winning country music group, his progression of consoles, how he manages a 96-input show and more, including the origin of his nickname.
Discusses the back story on how he got into audio and what lead him to work with the band Lawrence as well as mixing monitors from front of house, how his love for music resonates with the audience, and more.
How to overcome audio challenges “in the moment,” the advantages of in-ear monitoring, a process for mentoring up-and-coming audio techs and much more.
Talks about the expectation of “record quality” mixes coming out of live consoles even when we’re not “studio engineers,” and more.
Discusses the relationship of support acts with headliners, pulling double duty as tour manager and front of house engineer on the same tour, and more.
Talks about how he takes cues from live sound for his studio mixes and production techniques, what it’s like to hear the music he mixed and recorded be performed live, and more.
Talks about his mixing approach, adapting techniques to different genres of music, bouncing between touring and house of worship work, and more.
Noted front of house engineer talks about how the current James Taylor tour is going, shares some of his approaches to mixing, and discusses end-of-career issues.