A Tuning “Standard”? A Discussion Of System Performance Consistency
After the “right” system has been selected for an event, do mix engineers have any guarantee that they can begin the day’s work from a neutral starting point?
June 10, 2021
After the “right” system has been selected for an event, do mix engineers have any guarantee that they can begin the day’s work from a neutral starting point?
Learning basic operations of an analog desk designed to provide students with a solid foundation in music production technology at Canadore College in North Bay, Ontario.
Paired with a DiGiCo SD12 96 console at FOH, two KLANG:fabrik serve multiple monitoring needs at Watkinsville First Baptist Church.
For a low-cost unit (even at that time), the DM-17 is well made, designed for live performance vocal applications.
Second-in-series Immersive Audio Academy to offer insights from producers and researchers in the industry, offering hands-on immersive music mixing opportunities and more for attendees.
A passion for music that translated to the audio and production side of the business, the art of mixing jazz, and more.
Installation for coverage of the Olympic Games that start in late July will be full IP, comprising over 600 ports and leveraging RTS OMNEO audio for local communication and RVON for international comms.
Customers who purchase monitors can now receive a software bundle that includes special versions of Studio One Prime DAW and Studio Magic Suite.
Valhalla Media and Second City Sound team up in deploying D Squared digital wireless for unique contemporary opera performance at the Field Museum of Natural History.
Active or passive? What about tubes? Using to jacks on a DI to sum?
RAT Sound Systems installs recently introduced line arrays to deliver coverage in venue that’s undergone a metamorphosis from cinema to presenting live concerts and events.
Central Church in Henderson deploys three Quantum338 consoles for front of house, monitors and broadcast, joined by two SD-Racks.