Microfiles: The AIWA DM-51, Reflecting The Design Ethos & Styling Of The 1970s
An omnidirectional dynamic model that while more traditional looking than many earlier Art Deco designs still has a “mid-century modern look” all its own.
An omnidirectional dynamic model that while more traditional looking than many earlier Art Deco designs still has a “mid-century modern look” all its own.
With its limited frequency response and relatively high price when new, it’s no wonder that the M-191 didn’t become a staple of stage and studio. But it sure does look cool!
While a bit more modern than some of the company’s more famous vintage mics, it’s still a beauty.
For a low-cost unit (even at that time), the DM-17 is well made, designed for live performance vocal applications.
Like many in-house-branded mics, it was a great option for those looking for a good performing unit at a lower price point.
The story of a stand-mounted dynamic model that was intended for speech, vocals and instruments, as well as some history of the company behind it.
Details on one of the most iconic microphones of all time.
A look at the AKG D202E cardioid microphone that debuted in the mid-1960s and the author still uses today…
Inside a vintage microphone from the 60s and 70s, endorsed by some big artists of the day…
Detailing a microphone that was a big-time garage band favorite in the 1970s…
A look at an early two-element microphone that made its debut in the early 1940s
A lifelong love of music propelled him to a career as a highly accomplished audio professional who was also known for a great sense of humor as well as graciously sharing his knowledge with the community.
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