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L-Acoustics K3 Makes Its North American Fixed Install Debut At The Vermont Hollywood

RAT Sound Systems installs recently introduced line arrays to deliver coverage in venue that's undergone a metamorphosis from cinema to presenting live concerts and events.
The new L-Acoustics K3 arrays in place at The Vermont Hollywood. (Photo Credit: Zeke Ruelas)

The Vermont Hollywood, which first opened in 1939 as a cinema on the bustling corner of North Vermont Avenue and Santa Monica Boulevard and now transformed into a live concert and event venue, has implemented North America’s first permanently-flown L-Acoustics K3 loudspeaker system, supplied and installed by Camarillo-based L-Acoustics Certified Provider RAT Sound Systems.

“At the core of our vision and aspiration (to become a global gold standard for concerts and events) is a state-of-the-art entertainment infrastructure that starts with our K3 system,” says Jacques Massachi, Co-Founder and Managing Partner of MCAP Partners, which owns the building and spearheaded the metamorphosis. “The feedback we have received regarding K3 from artists and the production community has been astoundingly supportive, enthusiastic, and 100 percent positive across the board. I would also note that the K3 system inspired and raised the bar for the rest of our production infrastructure, effectively leading us to acquire the ‘best of the best’ in equipment.”

Capable of accommodating up to 1,200 people, the 11,000-square-foot, multipurpose live performance venue, designed by Santa Monica-based Ryder Design & Architecture, features a 56-foot wide by 75-foot deep main room with a 30-foot-deep balcony, initially prompting RAT Sound to consider an L-Acoustics K2 or Kara system for the project. “In our early Soundvision models, K2 far exceeded our system needs for the space, so we switched over to Kara, which we knew would work well,” recalls RAT Sound Systems Integration Manager Adam Figueroa. “Wanting more low-frequency support in the air, we paired 10 Kara per side with four SB18 subs flown behind each array, but it wasn’t ideal for video sightlines.”

Photo Credit: Zeke Ruelas

However, right around that time, came news of the forthcoming new member of the series. “K3 was exactly what we needed,” he adds. “It gave us the compact, full-range system we wanted without having to fly any sub hangs, and the system didn’t require any changes in amplification. K3 was an obvious ‘win’ all around, requiring minimal redesign.”

Now in place, system utilizes eight K3 flown per side for mains, four Kiva II spread out across the stage lip for front fill, and six KS28 subwoofers positioned under the stage. Left and right flown side fills each comprised of one A15 Focus over one A15 Wide are complemented on stage by an X12 monitor package, while short-throw X4i and 5XT enclosures are located out in the lobby area for additional coverage. Driven by LA12X amplified controllers, the entire system is connected via AVB with an AES fallback coming from an L-Acoustics P1 processor at front of house. A QSC S-SYS system is also in place for control of the main PA and processing for the distributed audio system, and a DiGiCo SD12 mixing console is located at the venue’s FOH mix position.

“The first time I heard our K3 system with playback material at The Vermont, I was literally blown away,” Massachi says. “It resonated through every inch of my body and was an epic and magical experience. We all know how music inspires on so many levels, but to hear music amplified so accurately and brilliantly allows the deeper appreciation of what the artist intended in their creation. I know that our patrons will appreciate being in a space that allows for a truly entertaining and engaging experience.

Photo Credit: Zeke Ruelas

“With everything that I do, personal or business, I’ve always believed that the pursuit of excellence is at the core of winning. It’s an honor to be the first adopter of an installed K3 system, but it’s also about having a sound system that creates a true outlier for The Vermont, allowing us to offer the best-sounding space for artists and guests.”

Massachi also credits RAT Sound Systems for its huge role in the project. “I really want to thank the team at RAT for their professional guidance, workmanship, and overall dedication to The Vermont, and particularly Adam Figueroa for his knowledge, leadership, and hard work,” he says. “What they brought to the table allowed us to transform what was effectively an empty shell into a technologically superior venue — the best-sounding space we’ve ever heard. We definitely hit a home run with L-Acoustics and RAT together, and we can’t wait for everyone to hear our K3 system for themselves.”

RAT Sound Systems
The Vermont Hollywood

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