L-Acoustics K1 And K2 Heats Up Arcade Fire On The Road

Solotech of Montreal provided L-Acoustics K1 and K2 for the recent North America tour by Grammy Award-winning indie band Arcade Fire in support of its fourth and most recent album, Reflektor.

The group continues to press the envelope with its sonically adventurous arrangements and tours, which can feature a dozen or more multi-instrumentalists switching between an ever-changing blend of guitar, drums, bass, piano, string quartet, xylophone, glockenspiel, keyboard, synthesizer, French horn, accordion, harp, mandolin and hurdy-gurdy.

In particular, this trek represented Solotech’s first official outing with the manufacturer’s new K2 enclosures, which were typically flown 14 per side as out fill arrays, but also occasionally tapped for main PA in sheds and smaller outdoor venues.

“I was very impressed with the K2, both in its seamless integration into a K1 rig as side-hangs, but equally in its performance as a standalone PA in smaller venues, where I felt its wider dispersion was well suited to venues where a shorter throw was necessary,” notes front of house engineer Jim Warren, who has also mixed Radiohead, Peter Gabriel and Nine Inch Nails over the years.

“K2 is a terrific cabinet and an amazing product overall,” adds Marc-Olivier Germain, Solotech’s audio system technician for the tour. “Its light weight is one of its best features; you can hang it pretty much anywhere! Rigging is great, and if you already know K1, it’s a piece of cake to work with K2. But that being said, I was also tremendously impressed by the amount of power that comes out of this box for its size.”

Aside from K2 out fills, Solotech deployed left and right main arrays of 14 K1 enclosures, each with six KARA for down fill. Eight K1-SB low-frequency extension cabinets were flown on the outside of each main array, with a total of 16 SB28 subs groundstacked below for low-end punch.

Additional loudspeakers deployed included: six KARA front-fills positioned across the deck; 16 ARCS flown as a full 360-degree “donut” over the B stage for pre- and post-show DJ performances; 12 KUDO delays (first leg only); 52 LA8 amplified controllers; and three self-powered 108P plus one SB15P at FOH for nearfield monitoring and shout.


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