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JBL Drives Detroit’s Annual Movement Electronic Music Festival

The Movement Electronic Music Festival kept more than 100,000 electronic dance music (EDM) fans grooving over Memorial Day weekend with performances by Detroit techno pioneers reinforced by a JBL line arrays provided by Thunder Audio.

Detroit is one of the cities where electronic dance music originated, and it’s only fitting that one of the genre’s biggest festivals is held in Detroit’s Hart Plaza every year.

The Movement Electronic Music Festival kept more than 100,000 electronic dance music (EDM) fans grooving over Memorial Day weekend with performances by Detroit techno pioneers Derrick May, Kevin Saunderson and Carl Craig, plus Moby, Squarepusher, John Digweed, Francois K, Big Gigantic and many more.

Livonia, Michigan sound contractor Thunder Audio utilized more than 90 JBL VTX Series line array modules for the show.

“When 100,000 people want to dance and get totally immersed in the music, you have to have a sound system that can blow them away,” said Paul Owen, VP of Thunder Audio. “We brought a system that delivered massive bass yet was clean and pure in the midrange and highs, even while pumping out high SPL.”

Paxahau, the producer of the festival, has been working with Thunder Audio since 2007 – with the production company providing sound reinforcement for all five stages.

“Thunder provides us with unparalleled service and enthusiasm–not only throughout the year, but especially during our premier event–the Movement Electronic Music Festival,” says Sam Fotias, Operations Director for Paxahau. “We work on the sound design all year for each stage, ensuring that it is a complete, visceral experience for our festival attendees.

“Everyone always leaves in complete astonishment at how amazing our stages sound. Many artists who play all around the world tell us that our sound systems are the best they have ever played on.”

Thunder Audio outfitted the Movement Electronic Music Festival’s Red Bull Music Academy main stage with a JBL VTX-based system.

Eighteen VTX V25 fullsize line array elements per side were hung on the left and right of the stage, with six V25’s on each side of the stage for outfill.

Eighteen S28 subwoofers were deployed—two left and right hangs of nine each, along with nine G28 subwoofers on the ground across the front of the stage in a cardioid configuration.

Two V25 line array elements atop two G28 subs per side handled side fill, six JBL VERTEC VT4888 midsize line array elements stacked three across and two high provided front fill and six VT4888’s flown in two clusters of three were used for upstage rear fill.

Power to the massive speaker complement was provided by 105 Crown I-Tech 12000 HD amplifiers and six I-Tech 4×3500 HD amps. Two dbx DriveRack 4800 loudspeaker management systems completed the system lineup, with everything controlled via JBL HiQnet Performance Manager™ software.

JBL
Harman
Thunder Audio

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