Graceful Performance: Developing A New System For The Boston Ballet

DIFFERENT TASKS

The other primary component in the system project is a Soundcraft Vi1 digital console for mixing the chorus and orchestra, with the live feed split so that each performance can be recorded for archival purposes.

In addition to the initial attractions of an intuitive layout and compact footprint, Jabour adds that the Vi1 was chosen due to “specific sets of features that are ideal for different mixing and archiving tasks. The way the EQ is set up and the ability to isolate pretty much anything is really useful. The board is highly customizable, and it can be customized very quickly.”

The Vi1 works in tandem with a Soundcraft Compact Stagebox (32 mic/16 out, Cat-5) and MADI link card. All DSP is handled using the console’s onboard capabilities.

“One of the major advantages of the console is the fact that the processor and control surface exist ‘live’ in the Vi1 and the ‘brain’ isn’t 150 feet away in a pit somewhere,” Jabour says. “This eliminated what could have otherwise been a huge concern – if the signal path was cut, there’d be no way of continuing without basically stopping the show. That is not an issue with the Vi1.”

Currently, the Ballet depends largely on six DPA 4006 microphones to fill a variety of roles, renting additional mics when necessary. Mic choice and placement depends on the instrumentation and the nature of the piece performed, as well as on how best to record the work for reference.

Boston Ballet front of house engineer Benjamin Young at the Soundcraft Vi1 digital console in the sound booth. (click to enlarge)

“We could be performing Swan Lake with a full orchestra in the pit, or, as we did for a recent performance, with only a string trio. Each ensemble needs to be miced in a different way. We also do pieces using original electronic compositions that require substantially more reinforcement,” Phillips says.

Overall, the reaction to the system has been exactly what everyone involved in the project hoped for, and, in fact, Talamas has also supplied road cases for the entire system for touring purposes.

“It sounds amazingly good and people are thrilled with it,” Phillips says, adding that with the placement of the loudspeakers, as well as their custom finish and sonic transparency, many audience members aren’t even aware that they exist within the space.

Based in Toronto, Kevin Young is a freelance music and tech writer, professional musician and composer.

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