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Gotham Sound Brings In Yamaha QL Console For Production Of HBO’s “Show Me A Hero”

Console and Rio I/O box seamless integrates with Dante-based gear for easy, effective expansion of capabilities

Gotham Sound and Communications in New York City was brought in to augment the audio production using a new Yamaha QL5 digital console and Rio1608-D input/output box for the HBO miniseries Show Me A Hero, from The Wire co-creator David Simon.

Based on a non-fiction book by Lisa Belkin, the six-hour show that’s slated for broadcast in 2015 focuses on Nick Wasicsko, the youngest big-city mayor in the nation who finds himself in the center of a racial controversy when a federal court orders him to build a small number of low-income housing units in Yonkers, NY from 1988 to 1992.

“We recreated many meetings in the city council chamber, during which there were large heckling crowds hurling insults at the mayor and council,” explains Frank Stettner, production sound mixer for the show. “The mayor and council all had microphones in front of them that we wanted to make practical to cover their scripted dialog.”

The heckling crowd consists of five different scripted hecklers plus a yelling crowd. “My normal setup is an 8-channel Cooper CS 208 D mixer with its direct outs feeding an 8-input Dante device, but it would not provide me with enough inputs,” Stettner notes. “The show’s workflow requires me to mix mono all audio sources in real time to track 1 on a pair of Sound Devices 970 64-track digital recorders for syncing to picture for the Dailies. I record all stems used in that mix to isolated tracks for use in post-production.”

With 15 total speaking parts, it became necessary to expand the systems, so he contacted Peter Schneider at Gotham Sound, who suggested the Yamaha QL and Rio as the best way to meet the scene’s needs. “It seamlessly integrated with my existing Dante based gear,” Stettner says.

Paul Padilla, the on-location consultant from Gotham Sound, put together and installed the QL and set up the computer network that tied all parts together.

“Using the Rio with the QL gave us a lot of flexibility,” Padilla explains. “It allowed us to route audio to and from a remote room without the need to run additional cable. Interfacing the Yamaha QL with another Dante base rig made for a very pleasurable experience.”

Once Stettner rolled his cart into the room where the QL was setup after finishing some smaller scenes elsewhere in the building, the team connected the network, time code, word clock, and assigned the direct outs to the 970 inputs quickly via Dante; ready long before the lighting and camera setup was completed.

Specifically, the workflow consists of the Yamaha Rio connected to the 12 practical, historically accurate Shure SM57 microphones. This was then brought via Cat-5 to Gotham’s network hub, which connected Stettner’s system and computer to the QL. The mics were routed to the QL inputs and the 970 Iso tracks via Dante.

“Larry Provost, my colleague, then used the Yamaha QL to make a mono sub mix of the fixed mics following the scrip,” Stettner continues. “I took this sub mix into my Cooper and added it to the mono Dailies mix along with the five radio mic sources I had on the scene’s protesters plus a boom mic for the crowd.”

“Augmenting the show’s main audio package with the Yamaha QL mixer has worked out rather nicely and seamlessly integrates, thanks to Dante,” states Peter Schneider of Gotham.

Stettner adds the flexibility of using the Yamaha QL and Rio made what would have been a long, stressful and time-consuming cable mess in the old analog days, into a fast efficient setup. “Gotham and Yamaha make the good work we do even more possible.”

Gotham Sound and Communications
Yamaha Commercial Audio

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