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Equipment For New Blade Studios Supplied By Guitar Center Professional

Both control rooms offer a selection of new and vintage outboard processing equipment and microphones, and new and vintage instruments are available in the 1,350-plus square foot tracking room, which also includes spacious isolation booths

Guitar Center Professional (GC Pro) recently played a significant role in outfitting Blade Studios, a new multi-room, multi-function production facility that recently opened in Shreveport, Louisiana.

The complex, which offers a broad range of music, film and other media production services, features studio acoustics and architecture by Russ Berger Design Group and an equipment list that includes products from ADAM Acoustics, Apple, Avid, Ocean Way Audio and Solid State Logic, much of it supplied through GC Pro.

The collaboration with GC Pro began even before the construction plans were finalized, according to Scott Crompton, executive producer and media developer at Blade Studios. Crompton is a partner in Blade Studios alongside Grammy-nominated chief engineer, mixer and producer Chris Bell and renowned drummer and producer Brady Blade, Jr., who lends his name to the facility.

“We were really interested in having the Ocean Way Audio monitors in the studio,” says Crompton. “GC Pro helped facilitate a visit for me during the 2010 GRAMMYs at Ocean Way Recording, where GC Pro Business Development Manager Derek Snyder introduced me to Allen Sides. We were fortunate enough to be able to audition the Ocean Way Monitors in the studio with a wide variety of source material that Allen had. One listen convinced me that they were the right monitors for our studios.” GC Pro is the exclusive U.S. dealer for Ocean Way monitors, which are designed by multi-GRAMMY Award-winning engineer/producer and studio owner Allen Sides in Hollywood, California.

Later, when the studio put the final equipment list out to bid, Jeffrey McDaniel, GC Pro account manager in Dallas, Texas, submitted a competitive offer. Crompton relates, “It was just really clear that Jeffrey was the guy we wanted to work with, because he knows his business and he’s got a very good disposition. And he’s been great.”

The Blade Studios complex, housed in a high-tech, secure building conveniently located just south of downtown Shreveport, features two identically sized control rooms. Studio A houses a 48-channel SSL Duality console while Studio B features an Avid ICON D-Control ES.

Both rooms feature Avid Pro Tools|HD3 systems with a Studer A827 tape machine also available in Studio A. The monitor systems in both control rooms are identical: Ocean Way Audio HR2 main stereo mains plus ADAM Audio monitors in a 5.1 configuration.

Both control rooms offer a selection of new and vintage outboard processing equipment and microphones, and new and vintage instruments are available in the 1,350-plus square foot tracking room, which also includes spacious isolation booths.

Nearly all of the equipment was purchased through McDaniel, says Crompton. Even though some of the equipment could have been purchased directly from the manufacturer, Crompton involved GC Pro in the deal, he says. For example, “We’ve been buying all of our Apple equipment through Jeffrey because for me it’s great to have one source that completely understands the scope of what we are trying to create in Blade Studios, and to have the power of GC Pro and Jeffrey McDaniel there in the middle of the transaction is wonderful.”

The original idea behind the studio dates back to when Crompton – a marketing executive who had previously performed with blues musicians such as Hubert Sumlin, Bob Margolin, Willy King and Johnny Shines – heard that Blade had returned to his hometown after living and working in Stockholm, Sweden, for some time, and he sought the drummer out. Blade, who is well known for his work with Emmylou Harris, Steve Earle and the Dukes, Jewel, The Indigo Girls, Bob Dylan, Dave Matthews & Friends and a host of other artists, was interested in starting a business in Shreveport.

“We said, the problem is there’s just not a really super-duper, high-end facility in Louisiana,” recalls Crompton. “So let’s make sure that we build the very best studio we can possibly imagine. And we’ve accomplished that. Every screw, every nail, every piece of equipment in this place is the very, very best we could get our hands on. It’s really as fine as any place on the planet. And we have GC Pro to thank in helping make our vision a reality.”

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TELEFUNKEN Elektroakustik’s mission is to design and build iconic microphones and modern professional audio equipment that provides classic sound for recording, broadcast, studio, and stage . Our vision is to be a global leader in emitting good vibes through manufacturing and design, all while capturing the spark of the TELEFUNKEN legacy and transmitting it with uncompromising quality.