Supported By

Don Gunn Chooses TELEFUNKEN

Seattle-based producer/engineer leans heavily on M80 and M82 dynamic mics as well as CU-29 "Copperhead" condenser mics.

Don Gunn is an enterprising recording/mixing engineer, producer, drummer, and programmer, based in Seattle.

With credits that include Soundgarden, Peter Frampton, Death Cab for Cutie, and scores of others, Gunn relies heavily on his dynamic and condenser TELEFUNKEN microphones.

“The core of my drum sound starts with an M80 dynamic on the snare, an M82 in the kick drum, and a pair of CU-29 Copperheads for overheads,” Gunn explains. “This gives me the foundation for a larger-than-life sounding drum kit.”

Active at many recording studios, including Studio Litho, Jupiter, The Hall of Justice, Red Room, London Bridge, Avast!, and Electrokitty, Gunn also has his own studio, The Office, a single-room spot he uses mainly for mixing and tracking smaller-scale projects.

Gunn elaborates on his well-known bass sound, “Since I’ve started using the Copperheads on bass guitar cabinets, I no longer use the DI signal in the mix to make up for what I always found lacking when miking bass amps.”

He also employs his large diaphragm Copperheads for vocals. “At a recent vocal mic shootout with a powerful male singer, the Copperhead was by far the obvious winner. I am ridiculously impressed with these mics.”

Don Gunn

Read More
In The Studio: Timing The Reverb Delay To The Track

Supported By

At PreSonus, we believe in innovation that removes barriers and creates solutions that inspire everyone to reach their creative goals. Our passion for audio and music is celebrated through our commitment to our customers and our employees.
From home to studio to stage, PreSonus is there.