By Howard Massey • October 31, 2014 To acquire "Behind The Glass: Volume II" from Backbeat Books, click over to www.musicdispatch.com. But eventually, hopefully, those kinds of things will be policed properly, so that everyone gets paid what they’re owed. In the old days, artists had to have a record deal because they needed that advance to afford to pay for expensive studio time and they needed the label to do marketing and promotion. Today, people have the ability to do those things for themselves, and it has made a huge difference. Ironically, in some ways it’s made it harder for an artist to gain recognition, because how do you get your stuff heard? Suggested Listening: The Police: Ghost in the Machine, A&M, 1981; Synchronicity, A&M, 1983 Genesis: Abacab, Atlantic, 1981; Genesis, Atlantic, 1983; Invisible Touch, Atlantic, 1986 Phil Collins: Face Value,Virgin, 1981; Hello, I Must Be Going!, Atlantic, 1982; No Jacket Required, Atlantic, 1985; But Seriously, Atlantic, 1989 Sting: Nothing Like the Sun, A&M, 1987; Ten Summoner’s Tales, A&M, 1993; Mercury Falling, A&M, 1996 Peter Gabriel: Peter Gabriel, Geffen, 1980 XTC: Black Sea, Geffen, 1980; English Settlement, Geffen, 1982 To acquire “Behind The Glass: Volume II” from Backbeat Books, click over to www.musicdispatch.com. Read the rest of this post 1 2 3 4 5 Comments Have something to say about this PSW content? Leave a comment! Cancel reply Scroll past the ”Post Comment” button below to view any existing comments. Your email address will not be published. Required fields are marked *Comment Name * Email * Website This site uses Akismet to reduce spam. Learn how your comment data is processed. Tagged with: Best Practices Engineer Heritage and History Producers Recording Technician · all topics Subscribe to Live Sound International Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound. Subscribe Today!