By PSW Staff • October 22, 2015 Director of operations Jackson MacInnis (left) and engineer Michael Taylor in the SiriusXM Washington live production studio with the SSL C200 HD. Satellite broadcaster SiriusXM, with more than 200 satellite channels, 400 web channels, and 30 million subscribers, currently has several main production centers – New York, Washington, Nashville, and Los Angeles, with a total count of about 150 broadcast studios, along with five music recording and live music broadcast studios. Two of those studios, in Washington and New York, have recently upgraded by installing Solid State Logic C200 HD live production consoles. Jackson MacInnis, director of operations at Sirius and directly responsible for the music production studios, explains, “We produce the special recording sessions and live music broadcast events for 200 channels of everything from hip hop, to heavy metal, to classical. We have produced around 20,000 songs over the 15 years that we’ve been active. Often we only get three hours with the artist, and we’ll try to get 45 minutes of music out of them. Speed and quality is our game.” Sessions range from multitrack recordings with an audience and a fast-turnaround mix to live broadcast performance sessions. To get through such a busy schedule takes planning, and practice. Before the session, MacInnis will have already briefed the artists or production manager and offered them the wide selection of instruments they keep on tap at the studio, which cuts down on load-in and set-up times. “We put everyone on headphones and personal monitoring systems,” he notes. “So each artist can mix themselves. That eliminates a huge amount of sound check time. “Our operations are so fast turnaround that even that extra few minutes to reset a console versus the speed of the C200 HD can make a difference,” continues MacInnis. :We’ve got it down to just walking in the door, putting on headphones, and plugging in. Everything is already lit up, and within 45 minutes we’re hitting ‘record.’ We’ve been doing it for 15 years so we’ve got it down to a science. They’re usually happy when they leave.” The digital C200 HD provides 48 kHz or 96 kHz operation, a variety of redundancy and fault-tolerant features, and a traditional analog style “knob per function” control surface with an in-line channel format and 48 multitrack buses. “You can stand in front of it and instantly know the channel layout,” MacInnis says. “Even if you haven’t worked on an SSL you can still see exactly what’s going on and not need to get into the menus or any of that. “I can hit the lead singer’s high pass filter in the blink of an eye, as opposed to having to access it, then hit another button, and so on. The speed of this thing is something else. I can literally can close my eyes and mix.” One of MacInnis’ favorite aspects of his role at SiriusXM is the variety and quality of music that comes through the door. “It’s a dream job for an audio engineer,” he concludes. “To list the great acts we’ve had in is difficult – it’s much easier to list the ones we haven’t had in. I come to work and get to watch concerts every day.” Solid State Logic Comments Have something to say about this PSW content? Leave a comment! Cancel reply Scroll past the ”Post Comment” button below to view any existing comments. Your email address will not be published. Required fields are marked *Comment Name * Email * Website This site uses Akismet to reduce spam. Learn how your comment data is processed. Tagged with: Broadcast Consoles Engineer Production Recording SSL · all topics Subscribe to Live Sound International Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound. Subscribe Today!