By PSW Staff • June 14, 2016 K3's talent show competition Formed originally in 1998, the Dutch and Flemish all-girl group K3 has been a consistently successful pop presence on national television – on programs aimed at pre-teen audiences. In 2010 they replaced one of their three members through a TV talent show entitled ‘K2 zoekt K3’ (K2 searching for K3) and when the time came to find a completely new line up in 2015, management turned once again to the talent show format, choosing d&b audiotechnik to support the audience experience. ‘K3 zoekt K3’ was transmitted from the largest TV studio in Belgium and the hopeful contestants were judged by both the audience and the group’s existing members. Videohouse was the supplier for all the broadcast facilities as well as the live sound reinforcement. Head of PA, Ad van Beek explains more, “K3 is a massively popular group here – you could compare this event with searching for a replacement One Direction in the UK – so the size of the TV venue reflected that. The AED Studios in Lint measure eighty meters by thirty meters wide and fifteen meters high. We had an audience of about eighteen hundred and the show went out weekly on Friday nights from September 4th for ten weeks. “Amptec and Videohouse have worked together for over twenty years and the d&b audiotechnik V-Series is simply the ‘go to’ loudspeaker for TV shows of this nature,” continues van Beek. “We chose a combination of V8s and V12s for the main L/R arrays with more V8s as side fills for this wide room. Because of the nature of the set and last minute alterations, the arrays were trimmed very high for sightlines, so Amptec delivered some of the new V7Ps to cover the resulting blind spots. That ensured the vocal performances were not lost on any of the audience.” Amptec Sales manager, Frank Geerts explains further: “Delivery time for the new V7Ps was very tight. They were rigged separately on the day of the final rehearsal. When making the design, it is not always clear if we will achieve perfect coverage as last minute changes are often made to the setup. We chose V7P especially for its directivity. When making sound designs for TV, directivity is very important as you cannot disturb the emission with live sound. “We have a longstanding working relationship with Videohouse. They have extensive experience with shows of this kind and are one of our most important d&b customers in the broadcast sector; they were one of the first, with an extensive d&b audiotechnik range from E0 up to D20. As always it was a delight to work with them.” Van Beek is in agreement, “Amptec not only delivers the very best in sound reinforcement, they are always there when needed. On shows like this we have to be able to rely on the customer service and the equipment. With Amptec and d&b audiotechnik we are guaranteed to get both.” The final episode of the contest was the most viewed program on national television in 2015. It was broadcast simultaneously in Belgium and the Netherlands, reaching 3.4 million live viewers. d&b audiotechnik Comments Have something to say about this PSW content? Leave a comment! Cancel reply Scroll past the ”Post Comment” button below to view any existing comments. Your email address will not be published. Required fields are marked *Comment Name * Email * Website This site uses Akismet to reduce spam. Learn how your comment data is processed. Tagged with: Broadcast d&b audiotechnik International Live Loudspeakers Sound Reinforcement · all topics Subscribe to Live Sound International Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound. Subscribe Today!