By Bobby Owsinski • December 1, 2012 These days it seems that almost everyone has a digital audio workstation (DAW) and a common 8-channel interface from Avid, MOTU, Edirol or some other manufacturer. Believe it or not, these small, inexpensive rigs pack more power than The Beatles ever had during their heyday (yet they sold over 1 billion records), and we can easily put that power to work when making a simple 8-track recording. While many of the interfaces actually have more than 8 inputs if you combine the analog and digital inputs (plus some secondary inputs for aux or 2-track returns), we’re just going to use one set of eight for this illustration to keep things simple. After all, the idea is to make a multitrack recording that’s easy to set up and as seamless as possible. Track Layout Since there are a limited number of inputs, the track assignments for the various instruments and vocals have to be thought out carefully in advance. Ideally, you want the lead vocal on one track, all of the background vocals (if there are any) on one track, kick and snare on separate tracks, and guitars, bass and keyboards on separate tracks. Figure 1: Direct Output (above) and Channel Insert Usually the rest of the drums will be picked up by the stage microphones, especially if the band is on a small stage, so while this isn’t ideal, it does provide a measure of control over the most important elements. A separate “kit” mic placed a foot or so above the drummers head and aimed at the middle of the kit is a better way to go if it’s possible, but this discussion is focused on making things easy. How do you get these mix elements separated out? Almost all mixers and consoles at just about any price past a few hundred bucks these days have either Direct Outs or Inserts on each input channel. Figure 2: Plug inserted halfway into an insert jack A Direct Out does just as it’s name says, serving as an output from only that isolated channel that’s usually intended for recording. Just plug that into your interface for the lead vocal, kick, snare, and bass. If there is not a Direct Out, it’s almost certain that there’s an “Insert” on each microphone channel (Figure 1). As you’re no doubt aware, an Insert jack allows insertion of a device like a compressor, delay or reverb only on that channel, but it can also be used as a direct output. The trick is to push the plug in only halfway (Figure 2). Read the rest of this post 1 2 About Bobby Bobby Owsinski Music Industry Veteran and Technical Consultant Bobby Owsinski is an author, producer, music industry veteran and technical consultant who has written numerous books covering all aspects of audio recording. To read more from Bobby, and to acquire copies of his outstanding books such as The Recording Engineer’s Handbook, be sure to check out his website at www.bobbyowsinski.com. http://www.bobbyowsinski.com/ Comments Have something to say about this PSW content? Leave a comment! Cancel reply Scroll past the ”Post Comment” button below to view any existing comments. Your email address will not be published. Required fields are marked *Comment Name * Email * Website This site uses Akismet to reduce spam. Learn how your comment data is processed. Tagged with: Audio Audio Basics Bobby Owsinski Live Recording · all topics Subscribe to Live Sound International Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound.