By Gary Zandstra • March 17, 2017 6) Provide Training Offer ample opportunities for your team to grow in technical knowledge. Find an expert you respect and hire that person to come in two to four times a year to train your crew. Team up with other churches to sponsor a regional conference on sound, led by consultants such as Marty O’Connor or Curt Taipale. Further, send for brochures and guides, and reprint articles on sound for your crew. Many manufacturers, such as Shure and Crown, provide free guides, and often, these are posted online for convenient download. Encourage your crew to participate in focused online discussions about sound with online communities such as the Church Sound Forum here on PSW. And lead your team by example. If you want the crew to be on time, be on time yourself. If you want others to keep the sound booth and related areas organized and clean, keep your areas organized and clean. 7) Encourage Relationships To do its work well, a crew must work in harmony with musicians and presenters. All too often there’s friction between sound technicians and performing artists. Some of that could be eased organizationally by including sound technicians in the church’s fine arts or music ministry. The lead person of the technical team should report directly to the worship leader or minister of music—no one else. They work things out, striving for communication and harmony. Example: I saw how that could work at a sound seminar, where David Sheets, minister of music at Central Wesleyan Church, Holland, MI, and his worship team participated in a session I led titled “Mixing a Worship Team: A Live Demonstration.” We purposefully had no rehearsal or sound check before the seminar. We merely tested the inputs to make sure they were working. During the seminar, a conflict arose between the piano and synthesizer players. The synthesizer player wanted more synth in the monitor, and the piano player wanted less. The problem: they were sharing a monitor mix. David let me know about the problem, and I told the players that since there were no more monitor mixes available, they should work out a solution together. He led the players through a quick trial on the monitor until the players reached agreement. They reached harmony in less than three minutes. Tip: The key was David’s willingness to tell me about the problem, and the opportunity I had to explain the set-up limitations to the players. I’ve discovered that when technical people are given the opportunity to explain a problem, performers are very cooperative. Of course, technicians must never abuse that trust by blaming their mistakes or ignorance on equipment, or by refusing to listen to a musician who needs adjustments in a monitor. Trust can also be destroyed by performers or technicians whose egos get in the way of working with others. In the sound booth or in front of a mike, the motto should be: “Check your ego at the door.” I also know how important a good relationship can be between a technician and artist. I spent four years working with Jack Lynn, a worship leader. We had such rapport that we could communicate from sound booth to platform via hand signals. When Jack put two hands on the mic, I knew I had to put more piano level in the monitor. Two hands with a raised index finger meant he wanted more voice. A step back from the monitor meant it was too loud. The signals worked well because I kept my eyes on the platform, and Lynn always made eye contact before signaling. Bonus: Serve Others First If we serve others first, we have far less friction between sound technicians and performers. Here are some ways sound people can serve others to enhance their ministry to the church. Show up early to set the sound equipment with enough time left to pray with speakers and singers before a service. Provide little extras for platform participants, such as a glass of fresh, cold water near the lectern. Take the pastor and/or worship leader out to lunch in appreciation for their support. Tell them how much you value their contribution. Explain to singers or speakers what you’re doing to adjust their sound and why. For example, tell them you’re moving a monitor two feet to the left so that the sound from the monitor is in the non-pickup area of the microphone and will thus give them a purer sound with less risk of feedback. The Ultimate Goal The sound ministry is like custodial service. When it’s done well, few will notice. When done poorly, everyone will notice. Work as a respectful team, and you’ll find that your sound is consistently excellent—and you’ll have a great time to boot! Read the rest of this post 1 2 3 About Gary Gary Zandstra Consultant, Dan Vos Construction, Writer for Worship Facilities and ProSoundWeb Gary Zandstra has worked in church production and as an AV systems integrator for more than 35 years. He’s also contributed numerous articles to ProSoundWeb over the past decade. http://garyzandstra.com Comments Have something to say about this PSW content? Leave a comment! Cancel reply Scroll past the ”Post Comment” button below to view any existing comments. Your email address will not be published. Required fields are marked *Comment Name * Email * Website This site uses Akismet to reduce spam. Learn how your comment data is processed. Tagged with: Audio Basics Best Practices Engineer Gary Zandstra Management Technician Techniques Worship Audio · all topics Subscribe to Live Sound International Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound.