By Mike Sessler • April 7, 2016 A look at the coverage of a system in the Bose Modeler acoustic design and analysis program. This article is provided by ChurchTechArts. I recently had the opportunity to teach a class on main sound system coverage and intelligibility at NorthWest MinCon in the Seattle area. We had a great group show up, and it was a lot of fun talking about the process of designing PA systems. While I can’t condense the entire class into a single blog post, I thought it would be good to hit some of the highlights. Here are four design principles I employ when looking at a sound system design. Even Throughout The Seating Area We really want to see the same level and very similar frequency response in every seat in the house. Achieving that goal—perfectly—is nearly impossible. So we have to give ourselves a range. We typically want to shoot for a ±3 dB level in every seat in the house. That means the back of the house is likely to be no more than 6 dB quieter than the front row. And depending on your room and system, it might be the sides, front corners or even center that is quieter. But the overall variation should not be more than 6 dB. With a good design and proper loudspeaker selection, this is a very achievable goal. Often, we can get it down to ±2 dB. Minimize Overlapping Sources Another key design principle for me is to minimize overlapping sound sources. Again, this is easier with some designs than others, but as much as possible, I want one loudspeaker to cover a seating area. The exception to this rule is a stereo PA design, but that’s a whole different kettle of fish, and I’m taking a pass on that one for now. The issue with overlapping sources is that you will almost always get some kind of phase cancellation, which can really mess with our even coverage goals. Delay loudspeakers are one situation where there will be some overlap, and it requires careful attention during the commissioning process to make sure they sound even, natural and are in time. Keep Sound In The Seats And Off Of Walls This seems so simple, and yet, I’ve seen many, many designs where loudspeakers are pointed at walls and not the seats. This is bad. In fact, in my last church, 8 of the 12 loudspeakers were pointed at walls and not seats; as a result, 80 percent of the seating area was off-axis of the PA. The resultant sound was terrible. We had variations of 12 dB to 18 dB in the coverage, and the sound field in the seats was almost all reflected, not direct. Intelligibility was terrible and it simply sounded bad. No amount of EQ or DSP will fix that. Basic rule of thumb—point the loudspeakers at seats, not walls. More Direct Than Reflected A high direct-to-reflected ratio means the sound should be very clear. If you’ve ever been in a venue where it seemed like the loudspeaker’s voice was right in front of your face, that system had a high direct-to-reflected ratio. The problem with high levels of reflected sound is that it diffuses the sound field, causes some nasty cancellations in the form of comb filtering and makes it really hard to hear what is said or sung. We can minimize reflected sound with a judicious use of treatment, and that should be part of the system design. But we also want to choose our loudspeakers carefully, and position them properly to keep as much direct sound from hitting the walls—causing reflections—as possible. There is, of course, more to the story, but we’ll let this serve as an introduction. I’ll touch on some additional loudspeaker system design points in upcoming articles. Mike Sessler has been involved with church sound and live production for than 25 years, and is the author of the Church Tech Arts blog. Based in Nashville, he serves as project lead for CCI Solutions, which provides design-build production solutions for churches and other facilities. About Mike Mike Sessler Project Lead at CCI Solutions Mike has been involved with church sound and live production for more than 25 years, and is the author of the Church Tech Arts blog. Based in Nashville, he serves as project lead for CCI Solutions, which provides design-build production solutions for churches and other facilities. http://churchtecharts.org Comments Have something to say about this PSW content? Leave a comment! Cancel reply Scroll past the ”Post Comment” button below to view any existing comments. Your email address will not be published. Required fields are marked *Comment Name * Email * Website This site uses Akismet to reduce spam. Learn how your comment data is processed. Tagged with: Audio Basics Loudspeaker World Loudspeakers Mike Sessler Sound Design Sound Reinforcement Worship Audio · all topics Subscribe to Live Sound International Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound.