Sponsored by

Church Sound: Are Your Levels More Tailored To Participation Or Performance?

It starts with knowing your congregation and what levels work for them

By Gary Zandstra September 26, 2011

Recently I’ve been discussing the more technical side of sound pressure levels as well as elements of musical style and our perception of levels, but there’s another aspect I’ve been thinking about with respect to this topic.

When does sound level come into play to make a Sunday morning service a performance rather than a participatory event? 

Dann, the senior pastor of the church I serve at, has on a couple of occasions said, “I think we went past participation and into performance.”

He’s referring to a certain point with sound levels: somewhat below (and at) that point, the congregation feels invited to sing along (participate), but way below and above it, most folks just sort of sit back and view it as a performance. The difficult thing is that this is is very subjective. 

Another difficulty that I (and many sound people) face is that I have no one behind me singing, so it’s hard to gauge at what level the congregation is participating. But Pastor Dann sits in the front row, so he has a good indication of when people start to shut down based on the level coming from the stage.

I’ve also wondered why anyone would stop singing, regardless of level, if they want to sing. The words are on the screen, so you sing, right?

A recent Chris Tomlin concert I attended provided some understanding. Chris does a great wonderful worship/concert event, and I found myself singing along on the first couple of numbers, thinking that I was glad that it was loud enough to drown out my voice (otherwise I would have embarrassed my daughters because my singing is that bad).

But by the third song my voice was tired, and my throat actually hurt. I didn’t realize it, but I’d been pretty much yelling, not singing. (Again thankfully drowned out by the PA.) 

So I stopped, enjoyed the performance, but then halfway through, began singing along again, at first without even realizing it. For this set, Chris was alone on stage, at the piano. It was a much more subdued style of music, and also significantly quieter than the previous stuff. 

I also found myself singing much quieter than earlier. This was not only due to limiting the embarrassment of my daughters, but also because I could somewhat hear myself and realized that I needed to back it down.

So with some of the mystery of performance versus participatory worship solved (at least in my mind), still, how do we as sound operators determine the “correct” level, that point we do not want to cross?

I suggest that members of the sound team who aren’t mixing for a given service could rotate through some of the seating sections in order to monitor congregational singing, and then share their findings with the team. This would at least be the start of finding a clue.

In my case, I have a great relationship with Pastor Dann and trust his judgment, so when he says it’s too loud, I take it seriously. I may not personally agree, but I know that his experience on the main floor sitting with the congregation has given him a very good understanding of this issue.

The bottom line is that it really comes back to knowing your congregation and what levels work for them.

If it’s too loud it’s a performance, but if it’s too soft it’s not powerful – and in both cases, most people don’t participate with their voices. But if they like what they hear, they probably will. Helping to encourage them is our challenge.

Gary Zandstra is a professional AV systems integrator with Parkway Electric and has been involved with sound at his church for more than 25 years.

About Gary

Gary Zandstra
Gary Zandstra

Consultant, Dan Vos Construction, Writer for Worship Facilities and ProSoundWeb
Gary Zandstra has worked in church production and as an AV systems integrator for more than 35 years. He’s also contributed numerous articles to ProSoundWeb over the past decade.


Have something to say about this PSW content? Leave a comment!

Scroll past the ”Post Comment” button below to view any existing comments. Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Tagged with:

Subscribe to Live Sound International

Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound.