Sponsored by
Meyer Sound

Southeastern Sound Adds Ashly Audio To Bethany Retreat House

Multi-year construction project in Dickson, Tennessee includes new dedicated chapel and sound system built around ne24.24M digital matrix processor.

By PSW Staff March 16, 2016

Bethany Retreat House in Dickson, Tennessee

Bethany Retreat House is a spiritual retreat in Dickson, Tennessee that is operated by the Dominican Sisters of Nashville. A multi-year project to upgrade and expand Bethany Retreat House’s modest campus is now complete with the construction of a dedicated chapel.

Audio-video integration firm Southeastern Sound (of Nashville) designed and installed a sound reinforcement system using Ashly Audio modular Protea processing, multi-channel amplification, and simple fader-style user control.

“We were involved from day one,” said Brian Cook, senior audio designer at Southeastern Sound. “We worked with the architect, David J. Baird of Building Ideas and everyone involved agreed that the clean, beautiful aesthetic of the chapel was of primary importance. That said, they worked with us to optimize loudspeaker placement. We chose Ashly Audio for all of the processing, amplification, and user control because we’ve had years of great experience with Ashly. Their gear always works out of the box, and we can always count on continuous performance year-after-year. Ashly Protea DSP is flexible and powerful, and all of Ashly’s audio paths are transparent. Simple user control was also very important because we had to be sure that anyone at all could turn individual microphones up or down.”

Those microphones reside at the lectern, the podium, the presider’s chair, and the reader’s stand, and a bank of eight microphone inputs sits near the choir area. In addition, Cook placed the chapel’s electronic organ on its own input.

Senior technician, Rick Redfern configured the modular input/output count of an Ashly ne24.24M digital matrix processor to handle sixteen inputs and deliver eight separate outputs. All of the ne24.24M’s processing is customized to provide natural, intelligible speech. A four-channel 150W Ashly SRA-4150 provides power to a Tannoy loudspeaker system that is divided into front, middle, and rear zones. The processor delays those signals appropriately so that all sound appears to originate from the front of the room. An Ashly TM-335 public address 35W three-input mixer/amplifier powers a handful of 70-volt loudspeakers.

Two Ashly FR-8 wall-mounted network remote control fader banks provide all of the user control that is wanted or needed.

“We set the output volume at an appropriate level, and the Ashly faders are custom configured to control the volumes of each individual input,” said Cook. “It’s so simple. If they want a particular microphone to be louder, they push its fader up. If they want a particular microphone to be quieter, they push its fader down. It really couldn’t be any easier than that.”

Ashly Audio


Have something to say about this PSW content? Leave a comment!

Scroll past the ”Post Comment” button below to view any existing comments. Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Tagged with:

Subscribe to Live Sound International

Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound.