By PSW Staff • August 10, 2016 One of the teams competing on Pop’s Sing It On. Returning for its second season, Pop’s Sing It On gives viewers a real-life look at the hard work, talent, and strategy needed to succeed on the competitive a cappella circuit. With the support of wireless systems from Shure, the documentary-style reality series follows singing groups around the country as they juggle academics and rehearsals while vying for a spot at the Varsity Vocals ICCA. To power ICCA performances for the competing a cappella groups featured on Sing It On, Varsity Vocals tapped Liquid 5th Productions to coordinate and manage a seamless audio production from start to finish—from the regionals to quarterfinals and finals. Liquid 5th specializes in a cappella recording and production and Carl Taylor, the company’s CEO and chief mixing engineer, was tasked with choosing audio gear that could not only sound great during live competition performances, but also be recorded and mixed for airing on Pop. Taylor opted for 24 channels of Shure ULX-D Digital Wireless Systems with KSM8 handhelds. “The traveling ICCA competition takes place in cities with crowded RF environments, and we needed wireless mics that could address potential interference to ensure no dropouts,” said Taylor. “By using ULX-D in combination with Wireless Workbench, finding available frequencies and distributing them is a breeze—it’s so much faster and saves quite a lot of time. The sound quality of the KSM8 also can’t be beat. Its bright sound and feedback rejection allows us to drive up the volume from the mics for mixing during the show without noise that would otherwise sacrifice audio clarity.” The 24 channels of ULX-D are split across 20 performers and Sing It On emcees. Over the course of the ICCA tournament season, the mics go through the hands of up to 700 performers, requiring durability. Each ULX-D system has rugged metal housing on both transmitters and the receiver—ensuring added endurance for the show. The system’s efficient RF performance directly addresses crowded spectrum environments and enables a dramatic increase in the number of simultaneous active transmitters that can be on one TV channel with a rock-solid signal. “We have been pleased with the Shure gear for Sing It On and our ICCA competition. The KSM8 has remarkable sound quality, ensures consistent audio, and lends itself well to a cappella performers,” added Amanda Newman, executive director at Varsity Vocals. “ICCA competitions are the real life ‘Pitch Perfect’ and it’s important that we place a priority on sound quality; and without fail, Shure has delivered.” In addition to KSM8 capsules, two Shure Beta 58A wireless capsules are used for bass and vocal percussion performers. Shure Comments Have something to say about this PSW content? Leave a comment! Cancel reply Scroll past the ”Post Comment” button below to view any existing comments. Your email address will not be published. Required fields are marked *Comment Name * Email * Website This site uses Akismet to reduce spam. Learn how your comment data is processed. Tagged with: Broadcast Microphones RF Shure Software Television Wireless Systems · all topics Subscribe to Live Sound International Subscribe to Live Sound International magazine. Stay up-to-date, get the latest pro audio news, products and resources each month with Live Sound. Subscribe Today!