How To Start Your Mix Without Touching The Faders
It’s so easy to immediately walk into a mix scenario without proper context…
It’s so easy to immediately walk into a mix scenario without proper context…
Considering a few activities that would be handled differently if we weren’t obsessed with making the show happen.
If you didn’t come to the big game ready to win, it’s time to decide if this is the team you need to be on.
Although there are numerous ways to mike an upright piano, none of them are particularly ideal.
Some tips for managing wireless microphone systems and the actual mix of high school or college theatre productions.
A few simple suggestions for resolving the old “sound guy versus the guitar player” conflict.
Getting past technology to figure out what works, get really good at it, and make music…
Another audio adventure long ago in the Great White North, this one right in the heart of downtown Toronto on a cold winter night…
Getting past some of the primary fears and issues that hold us back from excellence.
I advocate that instead of searching for the latest and greatest plugin, microphone or console… first learn to mix.
Comparing the “Faders at Unity” and “Maximized Preamp Gain” schools of thought, along with a third hybrid approach…
Getting past the fear of experimenting with effects and learning to add complimentary textures.
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