Church Sound: How To Ruin Your Mix
Is the audience listening to the song and a solid mix or just a barrage of inputs, with each one fighting to be the loudest?
Is the audience listening to the song and a solid mix or just a barrage of inputs, with each one fighting to be the loudest?
Getting a piano to sound natural can drive an engineer a little crazy sometimes, but natural isn’t always the sound we’re going for.
Sometimes you get nowhere if you play it safe…
Utilizes Variable Mu limiter compressor as a critical link in the mixdown path.
Rhythm is not only about music. It’s also the anticipation of events and understanding how to respond.
Enhance understanding of tech concepts as well as relationships
Suggestions and techniques for effective events when utilizing “speakers on a stick” for sound reinforcement.
Having even one of these attributes doesn’t necessarily mean that you mix is bad, only that it’s not yet finished.
Listen to a Diana Krall record. Al Schmitt is the man.
All the processing in the world won’t solve your problems if bad placement creates a system with inherent sonic errors.
One is no less important than another. Each sounds unique. Each sits in the right spot…
Before a music project can even begin, there are a number of basic decisions they must face in order to get the ball rolling.
Acoustics
Amplification
Audio Networking/IT
Business
Cabling & Interconnect
Church Sound
Dynamic Processing
Electrical Power
Equalization
History & Heritage
Key Audio Principles
Live Recording
Loudspeakers
Microphones
Mixing Consoles
Popular Authors
Production
Profiles
Software Tools & Apps
Sound System Design
Stage Monitoring
Stagecraft & Best Practices
Studio Recording
Subwoofers
System Test & Measurement
Wireless/RF
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