Mixing For The Boss: Dealing With Unsolicited (And Usually Unhelpful) Advice At FOH By Jim Yakabuski • December 7, 2018 I’ve had an amazing career in professional audio and have been fortunate to mix some of the greatest rock ‘n’ roll bands ever, but I’ve… Read More
Ask Jonah: Answering Reader Questions About Feedback, Acoustics & Analyzers By Jonah Altrove • December 7, 2018 Dear Jonah: My audio analyzer software has an option to invert the frequency response. Why would I want to do this? – John B. An… Read More
Peter Frampton To Receive Les Paul Innovation Award At NAMM By PSW Staff • December 6, 2018 Grammy award-winning guitarist, singer, songwriter, and innovator Peter Frampton will receive the Les Paul Innovation Award at the 34th Annual NAMM Technical… Read More
Roundtable: The Wild, Weird & Fun World Of Technical Riders By PSW Staff • December 6, 2018 “What’s the strangest (weird, interesting, funny, etc.) thing you’ve ever seen requested on a rider?” Let’s see what our panel of audio professionals has to… Read More
Winning Together: “The One Thing I Wish Live Mix Engineers Would Do Is…” By Karl Winkler • December 5, 2018 One recent day I got to thinking, “Wouldn’t it be great to come up with an idea for an article that would write itself?” It… Read More
New Signal To Noise Podcast: Talking With Bernie Broderick About “Truth In Audio” By PSW Staff • December 4, 2018 Welcome to the Signal To Noise podcast series on ProSoundWeb, hosted by Live Sound/ProSoundWeb editor Keith Clark and technical editor Michael Lawrence, and sponsored by … Read More
Martin Audio LATAM Provides Training For MLA & Wavefront Precision By PSW Staff • December 4, 2018 A series of in-depth certification training sessions for the MLA and Wavefront Precision loudspeaker systems were recently held at the Omni Hotel and Resort in… Read More
Cleaning It Up: Methods For Controlling Low-Frequency Energy In The Mix By Michael Lawrence • December 4, 2018 Recently, a colleague and I were working on a show in a highly reverberant space. Although we only had a few vocal microphones on stage,… Read More
Roskilde Festival Becomes A Laboratory For Meyer Sound Research By PSW Staff • November 30, 2018 Thanks to its partnership with Denmark’s Roskilde Festival, Meyer Sound realized a rare opportunity to make precision measurements on the effect of… Read More
RCF Opens Registration For 2019 Sound Engineering Course By PSW Staff • November 29, 2018 Italian loudspeaker manufacturer RCF in cooperation with the University of Modena and Reggio Emilia is currently… Read More
Church Sound: Three Tenets For Production Survival By Andrew Stone • November 28, 2018 Spending the better part of my life serving others through music and show production has given me the opportunity to develop three basic credos I… Read More
In The Studio: EQ And Compression Techniques For Vocals, Acoustic Guitar By Cliff Goldmacher • November 28, 2018 As an engineer/producer, one of my biggest early challenges was getting my mixes to sound as polished and balanced as the mixes of songs on… Read More
Make It Stop! There’s No Excuse For Loud, Bad Sound By Karl Winkler • November 27, 2018 Preserving our hearing is critically important, but that’s not what motivated me to write this piece. Really, I just can’t stand bad sound! To a… Read More
SynAudCon Offers Transformer-Distributed Loudspeaker Systems Training By PSW Staff • November 27, 2018 SynAudCon is offering online training titled “Transformer-Distributed Loudspeaker Systems” available now. This seminar is approved for 9 RUs and 4.5 CEDIA CEUs. Read More
Guidelines For Ceiling & Floor Construction When Building Out A Studio By Bobby Owsinski • November 27, 2018 Often given little thought compared to other parts of the studio, the ceiling and floor are critical. Have you made any of these very avoidable mistakes? Read More
