Viewpoints: Contrasting Mix Approaches For One-Offs & Touring
Considering the different types of preparation we can make to mix with excellence on single events as well as the long-term tours.
Considering the different types of preparation we can make to mix with excellence on single events as well as the long-term tours.
Our panel of PSW veteran audio professionals discuss their “desert island” gear choices– hardware and software – to carry to events.
Behind the scenes with a 100-minute audio visual journey of live musical arrangements, digital technology, and stunning visuals.
Outdoor festival productions loading production equipment on portable stages must consider safety concerns for the best possible show.
Individual and round-robin demo sessions at the Marriott Downtown present more than a dozen premium sound reinforcement systems.
Taking a closer look at many of the newest models and included features packed into a smaller footprint.
A discussion on addressing challenges involved in community noise issues at large outdoor music events and insights on the strategies they employed.
Veteran engineers and technicians share their approaches and techniques for capturing live drum sounds when time and/or resources are limited.
From the January 1989 issue of Recording Engineer/Producer (RE/P) magazine, looking at the record-breaking, 500 kW system deployed for Iron Maiden in 1988.
When you mix two signals together and find a strange tone quality, how do you fix it?
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