Clarifying the differences between the two approaches as well as how our ears perceive direction and distance, psychoacoustic cues that our brain uses to determine direction, and more.
So how do we keep things simple so that it’s easy to learn? It takes a lot of work and some compromises, but we can choose the way we set up our system so our team can grow and multiply.
When we understand why we started in the first place, and why we might continue, it’s easier to evaluate whether or not we want to continue volunteering for the next season.
Understanding attack and release times can help in producing much better results when treating input channels with the stereo output compressor in mind.
How do you recognize the signs that it’s time to resign, and how do you make that exit well, preserving relationships and honoring those around you?
Defining the goals for deployment followed by various approaches, placement considerations, helpful advice and more.
Understanding attack and release times can help in producing much better results when treating input channels with the stereo output compressor in mind.
What’s the tube emulation actually doing to the signal? And when should you use it? Time to dive in and find out.
Great mixes are a combination of loud and quiet, bright and dark as well as instruments that are percussive and others that sustain – compression can help bring excitement and contrast to these dynamics.
Ways to use compression properly on music vocals, spoken word and bass, as well as how to avoid mistakes that can cause a “sound tech solo.”
The essentials of compression as well as basic compression controls and how they function.
Someone put an in-ear mixer in front of you or handed you an iPad to make your own monitor changes, but what exactly is it that you’re needing to do?
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