“Gear can be old, new, whatever, as long as it produces quality sound and does the job we intend it to do” – Ryan Jenkins
“We all work together – band and crew – with a level of honesty and efficiency that really adds value to our every move.” — Trey Smith, front of house engineer
Cubby Colby talks about mixing a quintessential artist of this generation
“Going into the show virtually every night and getting a good result whatever the PA, you can’t ask for much better on your return visit, can you now?”- Nick Warren, front of house engineer, Bryan Ferry 2011 tour
Sound designer Amit Peleg takes us behind the scenes on the development of the venue’s new sound reinforcement system
“I come to this post with the mentality that if what we have is wrong onstage, it will translate into being wrong out front.” – Brett “Scoop” Blanden
Serving 101,000-plus, the system is at once powerful, overtly large in its reach, and straightforward in the purest sense
The latest additions to the PRO Series combine the audio quality and performance of the XL8 in a much more compact package with competitive pricing
“Part insect, part spacecraft, part cathedral…”
“Adele’s vocals are amazing. I want the audience to forget who they are for a moment and be able to project themselves solely onto what’s occurring onstage.” – Dave McDonald, front of house engineer
Inside the live sound and system for two legendary artists
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Audio Networking/IT
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Church Sound
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