One of the most important qualities of great sound engineers is not only trying to prevent issues from happening, but also how quickly and efficiently they can resolve problems.
Immediately upon entering the room, I knew it would be a struggle…
Approaches and practices for guitarists in making sure that the “special tone” coming from the amp can be faithfully translated through a PA system.
Holding the mic correctly and at an appropriate distance, singing consistently – even in sound check – and more.
“Once I stopped thinking about live sound in absolute stereo terms, a world of possibilities for reducing the number of inputs became quite apparent.”
Delving into this sometimes divisive topic, presenting positives for both sides along with a workaround.
Implementing basic concepts of sound engineering and sound check protocol for those just starting to perform will help them better make their way and will make our jobs easier as well. (A downloadable version of this article is also available.)
A perfect show has all the gear and info we need with plenty of time to work, but that’s as common as a unicorn dancing on a pot of gold beneath a rainbow.
Fully realizing the potential and embracing the automated features of digital consoles in the world of live sound.
They’re a great tool, allowing us to be efficient and fast in addition to provide opportunity to reflect on our workflow and come up with ways of making it even better.
If we truly want every detail of the performance to shine through, there could be a different approach than the one we’re typically using right now.
A in-depth, behind-the-scenes look at the painstaking preparation required in the runup to a nationally broadcast live music event.
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