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Audio-Technica Helps Keep San Francisco Conservatory of Music’s Audio Education Programs Active During Pandemic

In-person rehearsals and performances using Dante audio networking system with A-T microphones and headphones allowed the school to keep the music going, with over 200 free student SFCM concerts streamed online.
A percussionist at San Francisco Conservatory of Music (SFCM), participating in an ensemble remotely with the help of Audio-Technica ATH-M50x headphones.

Despite the mandated lockdowns due to the pandemic, the San Francisco Conservatory of Music (SFCM) has continued to provide students with a socially distanced education utilizing microphones and headphones from Audio-Technica.

“When we started our Technology and Applied Composition program, we had a lab of computers with 14 workstations, and we really needed to focus in on some headphones for the program that were closed back so they wouldn’t bleed too much, but also sounded great and were affordable,” states Jason O’Connell, Director of Recording Services at SFCM. “So we tested a wide variety of different headphones by various manufacturers. We all just really liked the sound of the Audio-Technica ATH-M50x headphones – they were super-comfortable to wear, and they were also affordable.

“After using them for a while, we noticed that they were becoming popular because students started buying them for themselves to use as their reference headphones,” he continues. “They work great in the studio, especially when we give musicians a click track, because they’re really good at isolating the clicks so they don’t bleed into the recording. And now that we’re doing the Dante setups throughout the conservatory, we have them in all of the Dante rooms.”

Installed throughout campus, the Dante system enables students to collaborate with others from separate rooms via low-latency audio networking. Woodwind and brass players are able to perform in orchestras, vocalists record operas, and RJAM (Roots, Jazz, and American Music) students can now play in combos.

The network allows O’Connell to do virtual orchestra projects with A-T headphones playing a key role. “We just recorded an opera with 15 singers, woodwind players and brass players all in separate rooms. And then we had three halls set up with socially distanced strings, percussion, and other instruments that can safely be in the same room together. So you literally have 50 musicians recording whole operatic works all on A-T headphones. They are super great at isolating the sound, and they just sound really good.”

When the pandemic hit, SFCM had to re-think its courses and pivot to make sure it would keep its educational programs alive. “Initially we purchased numerous Audio-Technica ATR2500-USB cardioid condenser microphones for every single student in our orchestra so we could record a composition by John Luther Adams titled ‘Become Ocean’,” O’Connell concludes. “We taught literally every student how to place their microphone for recording their instrument and then had each one record their part to a click track at home using REAPER (Rapid Environment for Audio Production, Engineering, and Recording), a digital audio workstation and MIDI sequencer software program. It was 60 or 70 people tracking their parts. We then basically mixed it all together as a final product that we delivered for our large ensemble piece at the end of last year. It was not merely adequate – it was spectacular.

“We then took all those Audio-Technica mics and put them in every faculty studio to support the Zoom lessons that they do with their students. The quality is great, they are very affordable, and they are super easy and intuitive to set up and use. Overall, we have been very happy with our Audio-Technica headphones and microphones, and they have become an integral part of our workflow. They have definitely helped keep the music alive and allowed us to keep teaching our students during this current health crisis. We are all thankful for that.”


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