New & Old
Fans of Dante networking should be pleased with another Audio-Technica development, the ATND971 wired mic that transmits audio and control data together over Dante network protocol.
This boundary design is well suited for boardrooms, meeting spaces, podiums and any place else needing a low-profile approach.
The mic also includes an integrated programmable switch that can control anything from triggering a video camera’s pan/tilt to controlling a room lighting preset.
Now, A-T has followed this up with the just-introduced ATND8677, a mic desk stand that fosters Dante of any phantom-powered condenser gooseneck mic with a 3-pin XLRM-type output. Further, it could actually be used with any mic by simply plugging the mic’s cable into the desk stand.
As you may have gathered from the articles I’ve written about my mic collection in previous issues, I love vintage models. Unfortunately most older mics aren’t usable because of deterioration or just the fact that their performance is nowhere near quality we demand today.
Luckily, a few manufacturers make modern mics with a vintage vibe that’s currently popular with a lot of performers.
Shure never stopped production of the iconic model 55 and today the body shape is available in two models, the 55SH cardioid and Super55 supercardioid. MXL debuted the CR77 dynamic stage vocal mic last year. with a “pill” shape evoking the styling of an old RCA type 77, with a distinctive black chrome, perforated metal grill and matte black body.
Ear Trumpet Labs is a newer manufacturer that makes mics with a great retro look. You might have spotted Faith Hill singing into an ETL Chantelle during a duet with Tim McGraw, who was using an Edwina model, at the recent 2014 ACM awards. Not only are the mics cool, but so are their names.
Finally, the Granelli G5790 is one of those problem solvers that prompts the question, “Why didn’t I think of that?” Well it’s because two recording engineers beat you (and me, and all of us) to it.
Seeking easier positioning of a Shure SM57 around a crowded drum kit, they modified a standard 57 by giving it a bent shape, and after a few prototypes, they were able to attain the same sonic signature as the original.
A lot of audio folks liked the idea, so they began offering them for sale. You can purchase a modified SM57 (and SM58) directly from them, or you can purchase a DIY conversion kit and modify your own 57 or 58. Either way, the result is a mic that can tuck into tighter spaces with the same sound as the original.
Now why didn’t I think of that?
Senior contributing editor Craig Leerman is the owner of Tech Works, a production company based in Las Vegas.