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Adamson arrays flying at the Nippon Budokan in support of a live concert by Little Glee Monster. Photo credit: Kano Natsumi

Adamson Supports Live Music’s Return To The Legendary Budokan In Japan

Venue’s octagonal shape can make sound reinforcement difficult, with system engineer Ryuichi Kawakami selecting E-Series and S-Series loudspeakers to meet the coverage challenges.

Live music has returned to the legendary Nippon Budokan, as rising J-pop stars Little Glee Monster recently kicked off their Japanese tour at the iconic Tokyo venue with support from a sound reinforcement system utilizing Adamson Systems Engineering components.

The Budokan was built in 1964 as a martial arts competition space for the Tokyo Summer Olympics, with top artists such as The Beatles, Led Zeppelin and Queen having graced its stage while others such as Bob Dylan and Blur releasing albums recorded within its walls. The venue’s octagonal shape can make sound reinforcement difficult, but system engineer Ryuichi Kawakami selected Adamson loudspeakers to meet the coverage challenges.

Photo credit: Kano Natsumi

“The Budokan is mostly built with wood, and many sections of the octagonal room have pillars and beams, so in the design process you must factor in the reverberation and reflections,” Kawakami explains. “The E15 speaker brings out an abundance of information across the whole frequency range, and it’s what makes the tuning so easy for me. I trimmed a few points to smooth out the system, and voilà it’s done.”

For this show, 108 Adamson E-Series and S-Series cabinets were deployed across the venue in a 270-degree configuration. Kawakami flew 32 E15s as the main PA accompanied by dozen E119 subwoofers flown in a column, 12 more E15 as out fills, 16 flown E12s and 12 ground-stacked E219 subs for additional floor rumble. Two sets of ground stacked fills were also used, comprised of four S10 and one S119 at each side fill position, as well as three S10 per side for rear coverage and a mixture of S10 and S10p for lip fills. The system was provided by Sunphonix, Adamson’s first and largest partner in Japan as well as Blue Project.

Photo credit: Kano Natsumi

In addition to the side fills, Adamson M212 monitors were also used on stage. “M212s have always been great monitor speakers to work with,” states monitor engineer Takashi Ono. “For Little Glee Monster shows, we use both in-ear monitors and wedges, but for a cappella songs I simply go with M212, to let the artists breathe and sing in each other’s presence. The members of the group have told me that they actually prefer the experience of singing with floor monitors, that it feels more organic.”

Gakuji Okumura, long-time Front of House engineer for Little Glee Monster, concludes, “When it comes to mixing vocals live, the E15 is the best system out there. Its sonic characteristics make the musical experience authentic. Sit anywhere in the venue, and you’ll hear the best of the mix.”


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