Microfiles: The Primo UD-863, A Distinctive (Looking) Microphone Circa The 1960s
The functionality and aesthetics of a cardioid dynamic design with a non-metallic diaphragm.
The functionality and aesthetics of a cardioid dynamic design with a non-metallic diaphragm.
A dynamic design from a Japan-based manufacturer with switchable impedance via a high/low switch mounted under the head with impedance stated as “Hi-50K Ohms, Lo-600 Ohms.”
This mic had all of the features I needed, including high impedance, an on/off switch, built-in stand mount – and a low price!
A single-element cardioid dynamic model originating in the mid-1950s that’s the first model to incorporate the company’s patented Variable-D design.
An early “pressure” design with a Paracoustic baffle to help control directionality; plus a bit of RCA history…
A micro-metal alloy diaphragm dynamic design from the early 1950s designed for a range of applications and with aesthetics optimized for television.
“The 811 was designed for use in professional recording applications and is equally suited for serious amateur recording, high-quality sound reinforcement and other demanding sound pickup situations.”
An inexpensive omnidirectional design for general purpose applications such as public address systems that also proved popular with garage bands and working musicians.
A dynamic-type design public address and general purpose microphone dating back to the late 1940s.
A regional brand microphone that offered up good looks, good sound quality and was more affordable than the big-name brands of the era.
A classic cardioid design from the mid-1960s with a “frequency response tailored for use with guitar amplifiers.”
A dynamic design that “has a wide range for voice and music reproduction in PA, recording and TV.”
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