New Video: “Over Your Shoulder” With Noted Mix Engineer Michelle Sabolchick Pettinato
Mix engineer Michelle Sabolchick Pettinato on her career as well as a “deep dive” into her front of house setup in support of her work with Elvis Costello.
Mix engineer Michelle Sabolchick Pettinato on her career as well as a “deep dive” into her front of house setup in support of her work with Elvis Costello.
Founder of Mixing Music Live and co-founder of Soundgirls.org talks about her approach to mixing while also reminiscing on the “good old analog days,” transitioning to digital, giving back, and more.
Touring veteran talks about her unique career path, passion for audio education, mixing console preferences and a whole lot more.
Founder of Mixing Music Live and co-founder of Soundgirls.org talks about her approach to mixing while also reminiscing on the “good old analog days,” transitioning to digital, giving back, and more.
FOH engineer Michelle Sabolchick Pettinato deploys ND86 for vocals with more ND-Series microphones covering the drum channels.
The world of touring front of house engineer Michelle Sabolchick Pettinato.
“Inspired music and fabulous musicians – that’s the reason I do what I do… and if any of their production managers are
reading, let’s talk!” — Becky Pell
Veteran engineers and technicians share their approaches and techniques for capturing live drum sounds when time and/or resources are limited.
What elements of your approach or workflow might be considered unconventional? What benefits are afforded by those decisions?
There’s often value in using bus compression artistically – a compressor can have very unique “sounds” due to its design that can enhance the mix.
A compilation of insightful comments that have appeared on the pages of ProSoundWeb and Live Sound International over the years…
In your mixing workflow do you tend to use subgroups, VCAs, or both? How do you tend to organize them, and what advantages are afforded by that workflow?
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