Avoiding Mr. Murphy: Getting It Right In The First Place
Under the principle of “everything that can go wrong…”
Under the principle of “everything that can go wrong…”
Mesa, Arizona-based learning center adds 48-channel/36 bus SQ-7digital mixer with 33 motorized faders to support work with Ableton Live 10.
Digital Hybrid Wireless LT transmitters with LR and R400a receivers retain tone and response for veteran performer on Pink’s Beautiful Trauma tour.
IOTA Global Summary report states global professional audiovisual industry will grow to more than $325 billion in 2024, from $247 billion in 2019.
Chambers equipped with new multi-function voting consoles custom-designed with M65 rigid tube desk microphones and Micros series condenser elements.
Logic Systems Sound and Lighting replaces deteriorating outdoor system with fully-weatherized J7-95 Jericho Horns driven by DNA 20k4 Pro amplifiers.
Traditional Kabuki performance Yoshitsune and the Thousand Cherry Trees goes immersive with MLA arrays and object-based mixing.
Audiophile system created for hospitality and performance space with Void Acoustics Nexus XL subs, Ojas Quad 15, Altec 1505B and FaitalPRO super-tweeter.
CAL column array loudspeakers retrofitted into 50,000-capacity Stanford Stadium, Avery Aquatic Center, and the Boyd and Jill Smith Family Stadium.
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