How Do I Mic Thee? Let Me Count The Ways…
The same questions seem to present themselves for every show, large or small…
April 25, 2017
The same questions seem to present themselves for every show, large or small…
Approaches and techniques for achieving a better mix for in-ear monitoring…
Founding member, vocalist, multi-instrumentalist, and songwriter for three-time Grammy Award winning group mixes with XR824 studio monitors
Features 24-bit, 192 kHz converters, 120 dB of dynamic range, XMAX microphone preamps, ADAT optical I/O and S/PDIF stereo digital I/O.
“Calibration & Design Techniques for Modern Sound Systems” to be offered in the German language June 26-29 in Aschheim (München) Germany.
Allows users to pack 31 channels in 4 MHz of bandwidth with noise filtering, and transmitter frequency setup from receiver via IR sync.
British metal band utilizes the Qu-SB digital mixer on IEM for recent tour of Europe with Anthrax.
Director of Audio Services and front of house mixer Phil Peters integrates eMotion LV1 console, Waves Tracks Live, and Waves plugins into workflow.
Thunder Audio adds TTP5-A arrays with TTS36-A subs to the Mercy Lounge and HDL20-A arrays with SUB8006-AS subs to the Cannery Ballroom.
System upgrade at Burbank facility adds RedNet HD32R, A16R and AM2 interfaces to optimize efficiency.