In The Studio: 5 Tips For More Realistic Pitch Correction
Pitch correction is either the worst thing to ever happen or a godsend, but it’s become a necessary evil in today’s music.
April 17, 2017
Pitch correction is either the worst thing to ever happen or a godsend, but it’s become a necessary evil in today’s music.
New active K8.2, K10.2 and K12.2 full-range loudspeakers along with KS212C cardioid subwoofer offer on-board DSP with storable scenes and presets.
Pearson Audio and Idibri add ICL-FR arrays to the shared spring training home of the Houston Astros and Washington Nationals baseball clubs.
New 24-channel fiber optic connection system available in both opticalCON Advanced and opticalCON Lite versions.
Workshops covering inside the box and outboard gear workflows to be presented by panels of industry professional.
London-based group finds percussion solution in the d:dicate 2011C cardioid condenser and d:screet 4061 miniature omnidirectional condenser mics.
Instructor Ray Kennedy equips the school’s recording classroom/lab with Dante-based RedNet interfaces.
Southwest Building Systems utilizes EVID compact loudspeakers and the PLENA PLM-8M8 matrix mixer to discreetly augment the guest experience.
Everyone starts at the bottom, but nobody has to stay there.
RG Jones supports elaborate production with MLA and MLA Compact arrays with MLX subs.