In The Studio: The Pros And Cons Of Mixing On Headphones
The trick is that you have to have enough listening time to get a reference point as to what sounds good or bad
The trick is that you have to have enough listening time to get a reference point as to what sounds good or bad
Solotech equips performance venue with ARCS arrays and SB18 subwoofers for awards ceremonies, talk shows, concerts and other live-event programs.
New option card uses Dante Brooklyn II module, which features plug and play media networking for up to 64 bidirectional channels at 48kHz.
POLARaudio and Roche AV outfit historical landmark with IC8-R-II column arrays for public meetings, mock trials, and other events.
New presets for Audio-Technica microphones added to collection which already includes presets for Shure and Sennheiser.
Front of house engineer Howard ‘Head’ Bullivant selects super-cardioid MD 431 vocal mic for festival shows.
Front of house engineer John Buitrago adds d:vote and d:dictate microphones to drum mix for Latin American performer.
Spectrum Sound provides matching consoles for front of house engineer/production manager Jake Hartsfield to support indie artist.
The Morris team completes 14 stadium dates with STM line arrays along with S118, RS18 and B112 subwoofers
Electronic musician Lee Potter adds Lyra audio interface to studio for recording and remixing projects.
Company provides audio signal processing and audio-visual test and measurement products for the cinema and pro AV industries.
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